Marshall AR-DM31 Audio Monitor
The AR-DM31-B is a third generation digital audio rack-mount monitor from Marshall, featuring improved audio quality and a redesigned chassis. The AR-DM31-B has reengineered speaker enclosures to maximize output power and new front panels that allow more natural reproduction of all frequencies in the 200-20,000 Hz range. The existing volume and balance knobs have been modified for easier access. 16 Tri-Color VU/PPM 10-Segment LED Bar Graphs User-configurable with a variety of modules 100% Digital Processing Class D Audio Amplification Dolby® Digital / Dolby® E Decoding (with optional ARDM-D552 module) Selectable Stereo Downmix Modes USB 2.0 Port enables on-site firmware upgrades Ethernet port allows remote alarm monitoring Balance and Volume Control 1/4-inch Headphone Jack The AR-DM31-B is ideal for TV facilities, studios, post production, VTR bays, mobile production vehicles, satellite links, and wherever multichannel audio monitoring is required. The AR-DM31-B supports 16 audio channels with four slots available for interchangeable input / output modules. This unit also provides pristine audio quality and unrivaled flexibility with 100% digital processing, Class D (digital) amplification, selectable stereo downmix modes, Dolby¢ç Digital / Dolby¢ç E decoding capability (with optional ARDM-D552 module), a 1/4-inch headphone jack with Level control, and a USB port for on-site firmware upgrades. The AR-DM31-B provides 10-segment tri-color bar graphs, while supporting VU and peak metering. Channel, Group, Mix, Dolby¢ç, and Balance selection, and saved configurations are easily accessed via the system's large navigation buttons. For audio playback, the AR-DM31-B provides two large, high performance / magnetically-shielded loudspeakers and subwoofer. PRODUCT MANUAL
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Sound Devices 552 Mixer
The Sound Devices 552 Production Mixer uses top analog and digital technologies, along with advanced mechanical construction, to give professionals a superb sounding, compact, lightweight and power-efficient mixer that is equally at home in simple run-and-gun applications or in complex multi-input, multi-output production setups. 5 x high-performance mic/line inputs with limiters Direct outputs per input, pre/post and mic/line selectable Integrated two-track 16- or 24-bit audio recorder 44.1, 48, 48.048, 88.2, and 96 kHz sampling rate Four-track AES3 digital output Two return audio inputs for two-camera confidence monitoring PRODUCT MANUAL
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Sound Devices 688 Mixer
The 688 combines performance, reliability, and integrity of sound quality, to help production sound engineers thrive on even the most complex productions. With its multi-channel mixer, two powerful auto mixers (Dugan and MixAssist™), and integrated 16-track recorder, the 688 was designed with high-demand versatility in mind. Vertical meter displays, improved menus, and the ability to save custom configurations make live monitoring and on-the-fly adjustments simple and quick. Its portability, durability, and impressive feature set, make it capable of fitting into any production scenario, from bag to cart-based workflows. 12 x analog inputs 16-track recording to SD & CompactFlash cards MixAssist 12-input auto-mixer 8 x output buses PowerSafe protects files from power loss Supports all sample rates up to 192kHz USB Keyboard for metadata entry PRODUCT MANUAL
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SQN-4S Series II Mixer
The original broadcast quality stereo portable mixer for TV, film and radio locations
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Glensound CU001-G Comms Kit
The GS-CU001G MkII is a highly versatile commentary unit. It was designed after close consultation with end users and the result is a stand alone unit which offers a wide range of facilities, and it is equally at home on the terraces, as it is in a studio. 3 individual inputs for each headphone amp 1 extra audio input into the headphone amps Full size side tone pot on top panel Positions for 3 commentators 3 x mic/line inputs with 48v phantom power Individual outputs plus a mixed output 5 external inputs for monitoring plus sidetone 3 common talkback outputs with Config+ push buttons Electronically balanced inputs and outputs The kit comes as standard with: 2 x Sennheiser HMD26-II Headsets 2 x Coles 4104 Lip Mics 1 x 16-Way Audio Loom PRODUCT MANUAL
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Sound Devices MM-1 Mic & Phone Amp
The Sound Devices MM-1 is a single channel, portable microphone preamp and headphone monitor designed for monitoring sound for film (boom operators), broadcast and ENG, field recording, voice over and corporate / industrial environments.
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Sound Devices MP-1 Mic Amp
Designed for high-definition field production applications, the Sound Devices MP-1 is a single channel microphone preamp that delivers studio grade audio in a portable, lightweight package.
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SOUND DEVICES 302 MIXER
The Sound Devices 302 is the most compact and cost-effective, battery-powered, professional audio mixer in its class. This no-nonsense, rugged little mixer features three exceptionally quiet mic preamps and balanced transformers to perfectly handle very low frequencies. With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters and receivers, camera audio inputs of all kinds, and external audio recorders. Its microphone inputs share the same superb circuitry as the 552 Portable Production Mixer and MixPre-D Compact Field Mixer. Like Sound Devices larger 552 Field Mixer, the 302 is a complete Field Mixer, but designed in a super-compact package. Controls are accessible on its three main surfaces, its high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC. Lundahl transformer-balanced mic or line level inputs on XLR connectors Continuously adjustable input trim Two-position high-pass filter Pan switches. Limiters on inputs and outputs Stereo and MS linking of channel 1 and 2 PRODUCT MANUAL
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Sonifex RB-DA6 Distribution Amp
The RB-DA6 is a 1U rack-mount high performance 6 way stereo distribution amplifier for splitting a source into a number of different outputs. The RB-DA6 has 1 stereo input and 6 stereo outputs. It can also be configured so that 1 mono input can be distributed to 12 outputs by use of a switch which is recessed on the front panel to prevent it being accidentally knocked. The XLR-3 inputs and outputs are electronically balanced and can be wired unbalanced. Each output is individually buffered so that a short circuit on one output won’t affect the others.The left and right input gain controls (normalising) are pre-set potentiometers accessible through the front panel. The output gain may be varied from -8dB to 18dB which is useful for normalising consumer and professional signals to give outputs of -15dBu and 0dBu respectively. PRODUCT MANUAL
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