Marshall AR-DM31 Audio Monitor
The AR-DM31-B is a third generation digital audio rack-mount monitor from Marshall, featuring improved audio quality and a redesigned chassis. The AR-DM31-B has reengineered speaker enclosures to maximize output power and new front panels that allow more natural reproduction of all frequencies in the 200-20,000 Hz range. The existing volume and balance knobs have been modified for easier access. 16 Tri-Color VU/PPM 10-Segment LED Bar Graphs User-configurable with a variety of modules 100% Digital Processing Class D Audio Amplification Dolby® Digital / Dolby® E Decoding (with optional ARDM-D552 module) Selectable Stereo Downmix Modes USB 2.0 Port enables on-site firmware upgrades Ethernet port allows remote alarm monitoring Balance and Volume Control 1/4-inch Headphone Jack The AR-DM31-B is ideal for TV facilities, studios, post production, VTR bays, mobile production vehicles, satellite links, and wherever multichannel audio monitoring is required. The AR-DM31-B supports 16 audio channels with four slots available for interchangeable input / output modules. This unit also provides pristine audio quality and unrivaled flexibility with 100% digital processing, Class D (digital) amplification, selectable stereo downmix modes, Dolby¢ç Digital / Dolby¢ç E decoding capability (with optional ARDM-D552 module), a 1/4-inch headphone jack with Level control, and a USB port for on-site firmware upgrades. The AR-DM31-B provides 10-segment tri-color bar graphs, while supporting VU and peak metering. Channel, Group, Mix, Dolby¢ç, and Balance selection, and saved configurations are easily accessed via the system's large navigation buttons. For audio playback, the AR-DM31-B provides two large, high performance / magnetically-shielded loudspeakers and subwoofer. PRODUCT MANUAL
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DPA 5100 Mobile Surround Mic
The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions. A completely self-contained “plug and play” solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA’s proprietary DiPMic™ (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analog output channels. The 5100’s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 dB in comparison with the signal from the main channels, in accordance with the 5.1 format. The end result of DPA’s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. Plug-and-play solution Lightweight and portable Rich, smooth and fully enveloping sound Discrete 5.1 analog output – no processing needed PRODUCT MANUAL
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Sound Devices 688 Mixer
The 688 combines performance, reliability, and integrity of sound quality, to help production sound engineers thrive on even the most complex productions. With its multi-channel mixer, two powerful auto mixers (Dugan and MixAssist™), and integrated 16-track recorder, the 688 was designed with high-demand versatility in mind. Vertical meter displays, improved menus, and the ability to save custom configurations make live monitoring and on-the-fly adjustments simple and quick. Its portability, durability, and impressive feature set, make it capable of fitting into any production scenario, from bag to cart-based workflows. 12 x analog inputs 16-track recording to SD & CompactFlash cards MixAssist 12-input auto-mixer 8 x output buses PowerSafe protects files from power loss Supports all sample rates up to 192kHz USB Keyboard for metadata entry PRODUCT MANUAL
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Sennheiser MKH8060
Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone. Super-cardioid/lobar pick-up pattern Very natural sound Undistorted off-axis sound Exceptionally low inherent self-noise Extremely low distortion PRODUCT MANUAL
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SQN-4S Series II Mixer
The original broadcast quality stereo portable mixer for TV, film and radio locations
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Sennheiser MKH8020
Outstanding omni-directional instrument microphone. Ideal as a main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Wide frequency response: 10 – 60,000 Hz. Stereo pair Polar pattern: omnidirectional Modular design Frequency range: 10 - 60,000 Hz Max. SPL @ 1 kHz: 138 dB SPL Perfect for studio recording of organ, grand piano and double bass PRODUCT MANUAL
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Glensound CU001-G Comms Kit
The GS-CU001G MkII is a highly versatile commentary unit. It was designed after close consultation with end users and the result is a stand alone unit which offers a wide range of facilities, and it is equally at home on the terraces, as it is in a studio. 3 individual inputs for each headphone amp 1 extra audio input into the headphone amps Full size side tone pot on top panel Positions for 3 commentators 3 x mic/line inputs with 48v phantom power Individual outputs plus a mixed output 5 external inputs for monitoring plus sidetone 3 common talkback outputs with Config+ push buttons Electronically balanced inputs and outputs The kit comes as standard with: 2 x Sennheiser HMD26-II Headsets 2 x Coles 4104 Lip Mics 1 x 16-Way Audio Loom PRODUCT MANUAL
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RTS BP-325 Dual Channel Beltpack
This beltpack features a user-programmable microprocessor-assisted interface for the highest degree of flexibility and versatility. Stereo or Mono Headset Mic Compatibility Two Talk Modes Call Function Sidetone Control for Self-Vocal Level PRODUCT MANUAL
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Comrex ACCESS IP CODEC
Content matters, but having the right technology is crucial for bringing any plan to life. The perfect studio counterpart to ACCESS portable units, and also a dependable point-to-point codec, ACCESS Rack is a full-featured IP audio codec that offers unparalleled reliability. ACCESS works over a range of connections, including Ethernet, Wi-Fi, and 3G/4G networks. And with CrossLock and BRIC Technology, the most sophisticated network management technology on the market, ACCESS is able to handle even the rockiest data connections. The 1U 19” rack mount ACCESS features balanced stereo XLR inputs and outputs, AES I/O on XLR, Ethernet port, POTS modem, multiple USB ports, and serial and contact closure ports. ACCESS Rack can be directly controlled with a keyboard or mouse, a USB touch screen monitor, or driven with a standard web browser. USB ports Built-in Ethernet ports MPEG 4/AAC algorithms included CrossLock Technology User-friendly browser-based interface PRODUCT MANUAL
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