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Tiffen Black Pro-Mist Filter 1/8″
1/8″ Black Pro-Mist filter for the Fuji HZK range
Categories: Cine Accessories, Cine
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Bright Tangerine Misfit Matte Box
Capture your perfect shot with the Misfit Kick 360 Mk II matte box. This versatile kit allows for 360-degree rotation and is compatible with a variety of filters and lenses. Whether you need to reduce glare, add a polariser, or control flares, the Misfit Kick 360 Mk II has you covered.
The matte box offers maximum coverage for cine-servo lenses and can support trays and filters up to 5.65x5.65″. With the added Torsion Plate, vibrations are effectively absorbed, providing enhanced handling and performance. Plus, with the Frame Safe clamp adapters, the Misfit Kick 360 Mk II can adapt to any lens, making it a must-have for any filmmaker.
Fujinon Cabrio 85-300mm PL Lens
Fujinon PL 85-300 Cabrio (ZK3.5x85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5x85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
Sony Venice-2 8K Digital Cine Camera
Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Features:
- 36x24mm Full-Frame Sensor for Cinema
- Full-Frame full width 36 mm 8K and 6K
- Super35 Anamorphic desqueeze
- Super35 17:9 and 16:9
- Phenomenal Latitude
- More Colours for More Expression
- High Frame Rate
- Fast Shutter
- Interchangeable Image Sensors
Specifications:
- VENICE Extension System 2
- Colour fidelity of In-Camera VFX
- Internal 16-bit X-OCN and 4K ProRes Recording in a Compact body
- PL Lens Mount - Lever Lock Type E-mount
- 8-step Mechanical ND Filters
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition