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Fuji HZK DUVO 14-100mm Lens
Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts.
Categories: Cine, Cine Lenses, Cine Lenses
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Sony AXS-AR3 Card Reader
The AXS-AR3 AXS memory reader offers an incredible maximum data read speed of up to 9.6 Gbps (1200MB/s) from AXS memory via Thunderbolt 3. This makes it easier than ever to import 6K/4K/2K RAW/X-OCN files recorded onto AXS-A memory by AXS-R7.
The unit supports a daisy chain function whereby more than one reader and other devices can be connected via Thunderbolt 3 to a PC/Mac.
For example, for AXS memory and SxS memory simultaneous recording users, SBAC-T40 SxS memory card reader is connected to AXS-AR3 by a daisy chin function.
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.SmallHD 703 7″ Monitor
This SmallHD 703 UltraBright Directors Kitwith V-mount battery plate provides you with a 7″, 2200 cd/m² brightness monitor, a cage and sun hood, accessory handles and neck strap, as well as screen protectors, BNC cable, LEMO power lead cable, and a cleaning cloth. This kit makes it simple for the director to see what the camera sees, whether indoors or out. The included handles allow the monitor to be easily gripped, positioned, or held, while the neck strap helps prevent the monitor from crashing to the ground when held by an easily distracted operator.
The UltraBright monitor’s display is easily visible outdoors even on bright days, and the included anti-reflection screen protector helps with visibility on gray, overcast, glare-riddled days. If you don’t need the anti-glare properties, you can use the included clear screen protector instead. Either protects your screen from day-to-day wear, but the screen protector will not protect your monitor or screen from impact damage.
Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m² bright backlight, overcomes this environmental difficulty. The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image.
A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections.
On the sides of the display are the SDI and HDMI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.