Cine
Showing 1–9 of 69 results
Cine
Cyanview RCP-J
The CyanView Cy-RCP with Joystick (2 cameras) is a universal control panel compatible with any camera. This version incorporates a joystick and can control up to 2 cameras.
IP-based, it's ideal for all types of production (even remote production) and features physical buttons, rather than a web interface. It has a slightly smaller form factor than ordinary remotes, but can be adjusted to fit the standard RCP size, leaving room for accessories such as a mini selection panel or mini joystick.
To operate effectively, the system synchronizes touch (and countdown) between the Cy-RCP and the matrix: selecting a camera in the Cy-RCP also controls the matrix to switch the vision monitor, and selecting another camera in the matrix panel also changes the display on the camera.
Specialized cameras generally lack video processing functionality in various ways, which means that often color correction equipment is added for post-processing and image synchronization. We've integrated these too. So, whatever is available in the camera head is controlled there, and whatever is missing (i.e. black balance, gamma) is done in the post-production phase by controlling the video corrector. The camera interface remains consistent from one camera to the next.
Cyanview RIO
The CyanView RiO (Remote IO) allows users to remotely control compatible cameras through an Ethernet Internet connection or by using a 4G/LTE modem. RiO can also be configured as a normal CI0 camera interface on local networks. Assuming that the LAN has latency, the RiO working mode is configurable on LAN to get any camera protocol to work on any latency. With the built-in camera control protocols, the camera connection remains stable regardless of the conditions of the Wi-Fi network and latency. Once the Internet connection is established, the RCP and RiO are connected. In addition, it is plug and play, thanks to the Cloud Relay. When connected through cell data, some linking video systems provide IP tunnels or Internet access points that can be used to link PCR and RO. It is also possible to add a 4G USB dongle to gain access to the Internet independently.
Sony FE 14mm F1.8 GM lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Tentacle Sync E MKII Timecode
The Tentacle SYNC E mkII timecode generator is a compact and lightweight device that allows for easy syncing and setup via phone or tablet using Bluetooth 5.0. With adjustable frame rate and TC output levels, as well as a built-in reference microphone and the ability to generate all SMPTE timecode rates, this device offers high precision and accuracy. Made in Germany, it also comes with a Tentacle Sync Studio software license for convenient synchronization of audio and video footage.
The Standard Set includes two SYNC E mkII devices and the Tentacle Sync Studio Software, making it a complete hardware and software solution for timecode synchronization. This versatile device is suitable for a range of video shooting applications and post-production tasks, making it a valuable tool for any production team.
IBE Optics HDx35 B4-PL Adapter
The HDx35 is an optical doubler with a 2.5 stop light loss. The adapter turns the B4 lens into a longer focal length lens, so that the relative depth of field expected for the larger sensor is achieved, while the usual field of view when the lens is mounted to a 2/3” camera is maintained.
All HD adapters also optically correct for the different spectral alignments between three-chip prism block sensors, for which the B4-mount lenses were designed, and the single sensor of the large sensor cameras.
They are highly telecentric in design, delivering a bright, sharp image across the entire frame with excellent colour and contrast.
DJI Transmission (Monitor Combo)
DJI Transmission is an integrated solution combining a video receiver, monitor, controller, and recorder. It is designed to be integrated with Ronin-series products and DJI Master Wheels, offering a ground-breaking transmission experience that provides vision beyond boundaries.
Incorporating O3 Pro video transmission technology, DJI Transmission offers an impressive 6km/20,000ft on-ground transmission distance. It also supports transmission at 1080p/60fps with a max bitrate of 50Mbps as well as live audio monitoring at 16-bit 48 kHz.
Enjoy seamless auto frequency hopping with DJI Transmission. O3 Pro adds DFS bands on top of the traditional 2.4 GHz and 5.8 GHz frequency bands, offering up to 23 channel options that provide professional crews with more compliant and interference-free transmission channels.
The High-Bright Remote Monitor supports one transmitter with multiple receivers for video and audio feeds in two transmission modes. Control mode lets DJI Transmission deliver optimal transmission performance. Broadcast mode can be enabled on top of Control mode to allow unlimited number of receivers.
DJI Transmission supports secure pairing and AES 256-bit encryption to protect against unauthorized access to your information.
Unlike traditional solutions, DJI Transmission integrates a high-bright monitor with a built-in receiver, providing optimum portability and efficient setup to help you get started fast in any setting.
The High-Bright Remote Monitor features a 7-inch wide-gamut touchscreen with a brightness of up to 1,500 nits. With a 1920x2100 resolution, it comes standard with a tempered glass screen protector and professional monitor hood to deliver rich, true-to-life colours, even in strong lighting conditions.
The remote monitor also features a microSD card slot and allows for recording and playback of a 1080p/60fps H.264 live feed, as well as simultaneous access to video timecodes, making it easy to edit proxies right on set.
The High-Bright Remote Monitor also has a built-in gyroscopic sensor that enables it to act as a standalone motion controller for Ronin 2 or RS 3 Pro without the need for additional accessories. This allows users to achieve more complex camera movements from a moving vehicle or with a jib.
Bright Tangerine Misfit Six Matte Box
The Misfit Six is a versatile matte box solution, measuring 6.6×6.6 inches, that can be easily configured to fit your specific filming needs. Its patented Reveal Stage allows for a seamless conversion from a 2-stage to 3-stage setup without any extra hardware. It can be attached in three different ways - clip on, rod mount, or swing away - and is compatible with 6.6 inch Frame Safe Clamp Adapters. Made with a lightweight and durable carbon fiber sunshade, the Misfit Six is the perfect tool for any filmmaking challenge. One of the standout features of the Misfit Six is its compatibility with both 6.6×6.6 inch and 4×5.65 inch filter trays, making it suitable for a wide range of lenses. With the use of our patented Reveal Stage, you can easily switch between a 2-stage and 3-stage configuration, giving you more creative control. The Misfit Six also offers a wide field of view when used with our Frame Safe clamp adapters, ensuring that you never have to worry about vignetting. Additionally, it can be mounted in a variety of ways, including clip on, rod mount, or swing away, depending on your shooting style. And with a range of accessories for shading control, such as flags and mattes, the Misfit Six allows you to maintain image quality and control unwanted flares.
Bright Tangerine Atom Matte Box
The Misfit Atom is an ultralight 2-stage matte box, designed for filmmakers seeking portability without sacrificing performance.
This kit comes equipped for 19mm Studio setups, making it ideal for professionals who need a lightweight and versatile solution.
ARRI RIA-1 with Bracket
The RIA-1 Radio Interface Adapter is a key component in ARRI's Hi-5 ecosystem, providing versatile wireless control for ARRI and third-party cameras and lenses. It supports ARRI's exchangeable radio modules, including the RF-EMIP, RF-2400, and RF-900, and can function as a receiver, transmitter, or motor controller. It also has multiple mounting interfaces, including 3/8" and M4 connectors.
In addition to its wireless control capabilities, the RIA-1 can also connect to a camera for power and control via the CAM interface. It is compatible with cforce motors and can control various camera models such as ARRI, Panavision, RED, and Sony. The RIA-1 also supports common distance measuring devices through its SERIAL interface, making it a versatile and essential tool for any production. To ensure secure mounting, the RIA-1 comes with a bracket that can be attached to camera cages and handles using two 3/8" screws and anti-twist locating pins.
