Cine
Showing 1–9 of 72 results
Cine
Canon CN5x11 IAS Cine Lens
A full frame Cine Servo lens with an expansive wide-angle zoom range, appealing to live action, news, compact studios, to documentary, drama, and virtual productions.
With advanced metadata support, and a new generation e-Xs V digital servo drive unit, and built-in 1.5x extender for both full frame and Super35 support, the CN5x11 IAS T R1/P1 delivers outstanding optical performance and precision for your HDR, 4K and 8K productions.
A faster servo than the previous drive unit allows for a more responsive iris, which, along with the renowned focus and zoom speeds, making the e-Xs V drive optimised for sports broadcasts and live events.
Canon UJ122 x8.3B 4K NOVEL Lens
The UHD-DIGISUPER 122 'Novel Look' is the 'novel look' version of the UJ122, it includes Canon's advanced optical unit that gives images from a traditional 2/3" camera the Super 35 Cine look. Whilst giving the filmic look that is becoming ever so much more popular in Live Events, the fact that the Novel is still a 2/3" lens means it keeps the range that just isn't possible with a Super 35 lens.
Livewhire have Sony's HDC-3500V and HDC-P50AV. These system cameras have a Variable ND Filter allowing large aperture whilst still controlling exposure. These cameras combined with the 'Novel Look' lenses give a shallow depth of field and Bokeh, normally only associated with larger format lenses.
Cyanview RCP-J
The CyanView Cy-RCP with Joystick (2 cameras) is a universal control panel compatible with any camera. This version incorporates a joystick and can control up to 2 cameras.
IP-based, it's ideal for all types of production (even remote production) and features physical buttons, rather than a web interface. It has a slightly smaller form factor than ordinary remotes, but can be adjusted to fit the standard RCP size, leaving room for accessories such as a mini selection panel or mini joystick.
To operate effectively, the system synchronizes touch (and countdown) between the Cy-RCP and the matrix: selecting a camera in the Cy-RCP also controls the matrix to switch the vision monitor, and selecting another camera in the matrix panel also changes the display on the camera.
Specialized cameras generally lack video processing functionality in various ways, which means that often color correction equipment is added for post-processing and image synchronization. We've integrated these too. So, whatever is available in the camera head is controlled there, and whatever is missing (i.e. black balance, gamma) is done in the post-production phase by controlling the video corrector. The camera interface remains consistent from one camera to the next.
Cyanview RIO
The CyanView RiO (Remote IO) allows users to remotely control compatible cameras through an Ethernet Internet connection or by using a 4G/LTE modem. RiO can also be configured as a normal CI0 camera interface on local networks. Assuming that the LAN has latency, the RiO working mode is configurable on LAN to get any camera protocol to work on any latency. With the built-in camera control protocols, the camera connection remains stable regardless of the conditions of the Wi-Fi network and latency. Once the Internet connection is established, the RCP and RiO are connected. In addition, it is plug and play, thanks to the Cloud Relay. When connected through cell data, some linking video systems provide IP tunnels or Internet access points that can be used to link PCR and RO. It is also possible to add a 4G USB dongle to gain access to the Internet independently.
Sony FE 14mm F1.8 GM lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Sony FE 50-150mm F2 GM Lens
The Sony FE 50-150mm f/2 GM Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.
Tentacle Sync E MKII Timecode
The Tentacle SYNC E mkII timecode generator is a compact and lightweight device that allows for easy syncing and setup via phone or tablet using Bluetooth 5.0. With adjustable frame rate and TC output levels, as well as a built-in reference microphone and the ability to generate all SMPTE timecode rates, this device offers high precision and accuracy. Made in Germany, it also comes with a Tentacle Sync Studio software license for convenient synchronization of audio and video footage.
The Standard Set includes two SYNC E mkII devices and the Tentacle Sync Studio Software, making it a complete hardware and software solution for timecode synchronization. This versatile device is suitable for a range of video shooting applications and post-production tasks, making it a valuable tool for any production team.
IBE Optics HDx35 B4-PL Adapter
The HDx35 is an optical doubler with a 2.5 stop light loss. The adapter turns the B4 lens into a longer focal length lens, so that the relative depth of field expected for the larger sensor is achieved, while the usual field of view when the lens is mounted to a 2/3” camera is maintained.
All HD adapters also optically correct for the different spectral alignments between three-chip prism block sensors, for which the B4-mount lenses were designed, and the single sensor of the large sensor cameras.
They are highly telecentric in design, delivering a bright, sharp image across the entire frame with excellent colour and contrast.
DJI Transmission (Monitor Combo)
DJI Transmission is an integrated solution combining a video receiver, monitor, controller, and recorder. It is designed to be integrated with Ronin-series products and DJI Master Wheels, offering a ground-breaking transmission experience that provides vision beyond boundaries.
Incorporating O3 Pro video transmission technology, DJI Transmission offers an impressive 6km/20,000ft on-ground transmission distance. It also supports transmission at 1080p/60fps with a max bitrate of 50Mbps as well as live audio monitoring at 16-bit 48 kHz.
Enjoy seamless auto frequency hopping with DJI Transmission. O3 Pro adds DFS bands on top of the traditional 2.4 GHz and 5.8 GHz frequency bands, offering up to 23 channel options that provide professional crews with more compliant and interference-free transmission channels.
The High-Bright Remote Monitor supports one transmitter with multiple receivers for video and audio feeds in two transmission modes. Control mode lets DJI Transmission deliver optimal transmission performance. Broadcast mode can be enabled on top of Control mode to allow unlimited number of receivers.
DJI Transmission supports secure pairing and AES 256-bit encryption to protect against unauthorized access to your information.
Unlike traditional solutions, DJI Transmission integrates a high-bright monitor with a built-in receiver, providing optimum portability and efficient setup to help you get started fast in any setting.
The High-Bright Remote Monitor features a 7-inch wide-gamut touchscreen with a brightness of up to 1,500 nits. With a 1920x2100 resolution, it comes standard with a tempered glass screen protector and professional monitor hood to deliver rich, true-to-life colours, even in strong lighting conditions.
The remote monitor also features a microSD card slot and allows for recording and playback of a 1080p/60fps H.264 live feed, as well as simultaneous access to video timecodes, making it easy to edit proxies right on set.
The High-Bright Remote Monitor also has a built-in gyroscopic sensor that enables it to act as a standalone motion controller for Ronin 2 or RS 3 Pro without the need for additional accessories. This allows users to achieve more complex camera movements from a moving vehicle or with a jib.
