Showing 1–9 of 15 results
Sony RM-IP500 Remote
The Sony RM-IP500/1 Professional Remote Controller for Select Sony PTZ Cameras provides control of Sony BRC-X1000/1, BRC-H800/1, BRC-H900 and SRG-360SHE PTZ cameras. This compact unit incorporates a joystick for pan, tilt, and zoom control, and it has the capability of controlling up to 100 separate cameras over IP. In addition to the joystick, the controller features dedicated knobs and control buttons that allow you to bypass the camera's menu systems to access frequently used functions. The controller also incorporates many "paint" functions that enable adjusting the look of your cameras from one central point. Auto IP addressing and camera numbering make connecting to your network as simple as plugging an Ethernet cable into your camera. The RM-IP500/1 stores up to 100 presets, has a tally indicator, and offers discrete zoom, focus, and iris controls in addition to the joystick.
Canon DP-V2411 HDR Monitor
The Canon DP-V2411 24" 4K Reference Display features image quality and tool sets designed to aid your HDR productions. The monitor, with its 4096 x 2160 native resolution, is suitable for colorists, cinematographers, and DITs as it is at home on SDR productions, with its standard 100 cd/m² brightness levels, as well as HDR productions with its peak 1000 cd/m² brightness. It supports 12G-SDI and has four BNC inputs and four BNC loopthrough outputs, as well as an HDMI input. The monitor displays a 4K image from any one of its inputs, or you can create a dual view from a single input. You can also input an 8K image over the four 12G-SDI inputs, which the monitor will scale to 4K for display. The wide viewing area and anti-glare coating provide an image that can be viewed in less-than-ideal conditions and from off-axis without significantly compromising the image's contrast. The monitor supports ITU-R BT.709 as well as BT.2020. A LAN interface allows you to control the monitor's settings remotely. The monitor keeps cool using a fan and its aluminum frame as a heat sink. A built-in mode allows the monitor to automatically turn off its internal fan when a compatible camera is connected to the monitor and the camera is recording, which makes the monitor suitable for on-set as well as post-production work.
Canon DP-V1830 HDR Monitor
Maintain a consistent reference throughout production and postproduction as you shoot and/or monitor 4K with this 18.4" Canon DP-V1830 UHD 4K Reference Display rack-mountable monitor, which can also be used as a portable studio or location monitor. This reference display is ideal for broadcast and cine-style video productions that monitor in up to 4K. The monitor supports 12G-SDI and has 4 x BNC inputs and 4 x BNC loop through outputs as well as 1 x HDMI input. It features a panel with a native resolution of 3840 x 2160 that displays UHD 4K natively, while providing two options for displaying 4K DCI. The monitor supports SDR as well as HDR for display and has a nifty SDR/HDR split-screen function, so you can do an on-set compare of your footage. The LED panel is consistent with other models in the Canon reference display line, which allows you to trust your image will display consistently from monitor to monitor as your production moves through the production/postproduction pipeline. Combining a peak brightness of 1000 cd/m² with Canon's backlight control allows the monitor to reach a contrast ratio of 1,000,000:1 with right un-clipped whites, and deep blacks.
TV Logic LUM-242H Monitor
The LUM-242H is a 24 inch monitor with UHD resolution (3840 x 2160), high luminance up to 1,000cd/㎡, a 10-bit color depth, high contrast ratio of 1,000 : 1 and wide viewing angle. The LUM-242H supports various standard color gamuts including 90% DCI-P3 coverage. It supports 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0 input.
Aja FS-HDR Converter
FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms. In Single Channel Mode, FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR/WCG transformation. In 4-Channel Mode, FS-HDR offers 4 independent channels of 2K/HD HDR/WCG transformations as well as up, down, and cross conversions.
Bon BSM-183H High Bright Monitor
Designed for shooting outdoors and in other brightly lit conditions, the BON BSM-183H 18.5" 3G/SD-SDI & HDMI High Brightness Field Monitor features a 1200 cd/m² daylight-viewable LCD screen. The high brightness preserves contrast and prevents the on-screen image from getting washed out. The 1366 x 768 LED-backlit LCD panel can display SD and HD signals from any of the HDMI, DVI, or analog video inputs. The two 3G-SDI inputs can handle up to 2K resolutions. SDI and analog looped outputs can be used to further route the incoming video. Onboard monitoring tools include waveform, vectorscope, and exposure range check for analyzing incoming video signals and adjusting exposure.
Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers. Real-time conversion of both 4K HDR and HD HDR AIR Matching function to retain artistic intent across distribution platforms Enables powerful SR Live for HDR workflows PRODUCT MANUAL
Sony PVMX2400 HDR Monitor
The PVM-X2400 is a 24-inch 4K HDR high grade picture monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy for on-set, studio and truck applications, and in 19” EIA racks for editing, audio mixing etc. Sony’s acclaimed TRIMASTER architecture delivers accurate picture reproduction, precise imaging and quality picture consistency. There are many advantages in the panel control and signal processing system such as fast processing, accurate linearizing of an input signal with Optical Electrical Transfer Function, accurate colour reproduction, etc. Dynamic Contrast Drive is a new backlight control system that dynamically changes the panel’s backlight luminance to adapt to changing content enabling you to confirm the total balance of highlights and low lights at a glance. The feature can be used to reproduce black representation in dark content, such as night scenes and provide specular highlights in bright content such as snow field and summer beach scenes. The Dynamic Contrast Drive feature provides a dynamic contrast ratio of 1,000,000:1. Due to the inherent nature of LCD panels, some backlight leakage is unavoidable. To compensate, Black Detail Mode High/Mid/Low facilitates more accurate monitoring of black detail in dark, low- APL (average picture level) images. The backlight level is reduced but gamma is maintained for correct colour and grey scale. High luminance areas may be clipped due to the dynamic range of the monitor. Any clipped portions can be displayed as clipped or highlighted by a zebra pattern. Color-matched 4K HDR picture monitors color with the BVM-HX310 Dynamic Contrast Drive and Black Detail High/Mid/Low Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI Unique Quad View display with User 3D LUT Product Manual
Lawo V Pro 8
The V__pro8 is the perfect tool to connect different video formats as well as to connect between audio and video. High-quality format conversion, color correction as well as audio embedding and de-embedding make the V__pro8 a compact and powerful video processor that builds bridges between different worlds and formats. Two high-density MADI audio ports provide efficient video-to-audio bridging within the studio infrastructure. The V__pro 8 works as a flexible matrix system: using its 8 x 8 video matrix and 384 x 384 audio matrix, it is possible to switch any signal to any other. A modern GUI based on HTML5 provides an ideal interface for easy handling of day-to-day work. Here’s how it works: eight high-quality 3G SDI de-embedders and a corresponding number of embedders are looped into the eight video signals according to your preferences. This enables any number of audio signals to be used from the video material, and new audio signals to be embedded into the video signal — a simple, reliable and efficient solution. The V__pro8 can be configured via an easy-to-understand HTML 5-based touch screen interface that runs directly within the web browser. No software installation is needed. As a result, you benefit not only from state-of-the-art user-guidance, but also from elegant animations and many, practical features such as the video channel preview on your GUI. In addition, the web-based approach enables the user to access all V__line devices from anywhere within the network — a feature especially useful in bigger set-ups or in outside broadcast productions with long-distance links. Frame sync for each of the 8 channels Variable audio and video delays for each channel RGB Color correction & Proc Amp for each channel Two Surround-to-stereo downmixers per embedder Frame Phaser and Line Phaser modes Embedding and de-embedding incl. SRC for each channel Up/Down/Cross format & AR conversion for two channels Internal 8×8 video and 384×384 audio routing matrix Product Manual