Cameras
Showing 1–9 of 15 results
Sony HDC-5500 Camera Channel
The HDC-5500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality – and anticipate tomorrow’s production needs while maintaining full compatibility with today’s workflows and system hardware.
A newly-developed on-board signal processor allows the HDC-5500 to output 4K signals directly without the addition of a dedicated external baseband processor unit, saving rack space in the confines of an OB vehicle or studio environment. It can also output 4K signals directly via 12G-SDI. Thanks to an all-new 4K baseband transmission system, the compact camera is ideal for use in steadicam and wireless camera systems.
Capture premium pictures with Sony’s advanced 2/3-inch 4K CMOS sensor with global shutter technology that eliminates the ‘jello effect’ and banding noise. This allows the HDC-5500 to capture pristine 4K images with exceptionally low noise (-62dB), impressive sensitivity (F10 at 1080/59.94p or F11 at 1080/50p) and high dynamic range, while achieving the ITU-R BT.2020 broadcast standard wide colour space. It’s teamed with a specially developed LSI Digital Signal Processor that fully realises the extraordinary imaging power of this new sensor.
Complete Channel With:
IP/SDI Board
4K License
High Frame Rate License
Ember+
HDCU-5500
HDVF-EL75 Viewfinder
HDVF Monocular
3500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood
Sony HDC-3500 Camera Channel
The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality – and anticipate tomorrow’s production needs while maintaining full compatibility with today’s workflows and system hardware.
Capture premium pictures with the world’s first 2/3-inch 4K CMOS sensor with global shutter technology that eliminates the ‘jello effect’ and banding noise. This allows the HDC-3500 to capture pristine images with 4K high resolution (2000TVL), exceptionally low noise (-62dB), impressive sensitivity (F10 at 1080/59.94p or F11 at 1080/50p) and high dynamic range, while achieving the ITU-R BT.2020 broadcast standard wide colour space. It’s teamed with a specially developed LSI Digital Signal Processor that fully realises the extraordinary imaging power of this new sensor.
Broaden your creative possibilities and achieve exactly the look you want in any shooting situation. Low-key Saturation ensures rich, vibrant colours in low-light areas. Powerful gamma functions give absolute control over fine-tuning tonal values, contrast and detail.
The HDC-3500 can capture High Dynamic Range images, supporting Sony’s SR Live workflow for simultaneous HDR/SDR production with reduced inventory requirements.
Complete Channel With:
IP/SDI Board
4K License
Ember+
HDCU-3500
HDVF-EL75 Viewfinder
HDVF Monocular
3500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood 
Sony HDC-4300 Camera Channel
The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets.
Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K Live Production workflows. Optional software upgrades let you add amazing 4K 2x and HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform.
Complete channel With:
HDCU4300
4K License
HDVF-EL75 Viewfinder
HDVF-EL20 or HDVF-EL10 Monocular
1500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood
Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.
Sony FR7 Cine PTZ
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа.
Тhе Ѕоnу FR7 РТZ саmеrа оffеrѕ сіnеmаtіс vіѕuаlѕ wіth іtѕ 35mm full-frаmе Ехmоrе R СМОЅ ѕеnѕоr. Іt іѕ сараblе оf сарturіng 4К fооtаgе еvеn аt hіgh frаmе rаtеѕ оf 120fрѕ, аnd аn іntеrnаl ѕlоw-mоtіоn funсtіоn саn ѕhооt uр tо 240fрѕ іn Full НD. Тhе ѕеnѕоr’ѕ hіgh ѕеnѕіtіvіtу аllоwѕ ІЅО lеvеlѕ tо еасh ІЅО 409600 fоr ѕhооtіng іn ехtrеmеlу lоw lіght еnvіrоnmеntѕ, аnd а 15-ѕtор lаtіtudе рrеvеntѕ оvеrblоwn hіghlіghtѕ аnd сruѕhеѕ ѕhаdоwѕ.
Воlѕtеrіng thе ѕеnѕоr іѕ thе роwеrful ВІОNZ ХR рrосеѕѕоr thаt fuеlѕ dіffеrеnt fеаturеѕ. Ѕ-Сіnеtоnе рrоduсеѕ nаturаl mіd-tоnеѕ fоr ѕkіn аnd аddѕ ѕоft соlоurѕ аnd brіllіаnt hіghlіghtѕ wіthоut thе nееd fоr ехtrа соlоur grаdіng. Ѕ-Lоg3 аnd Ѕ-Gаmut3 gаmmа сurvеѕ сарturеѕ thе full dуnаmіс rаngе іn thе ѕеnѕоr аnd rеtаіnѕ hіghlіght аnd ѕhаdоw іnfоrmаtіоn fоr роѕt рrоduсtіоn.
Sony HDC-P50
The HDC-P50 is a light, compact Point of View (POV) system camera. Integrating seamlessly with existing HD infrastructure, lenses and accessories, it gives ambitious programme makers exciting new possibilities for creating HD, 4K HDR and HD HFR productions.
This light and compact POV system camera features the world’s first 2/3-inch 4K global shutter three CMOS sensor system that delivers exceptional image with impressive sensitivity and wide dynamic range.
Thanks to ultra-high precision alignment technology, three 4K sensors on the newly-developed prism achieves ITU-R BT.2020 broadcast standard widened colour space. As a result, the HDC-P50 delivers exceptionally high-quality images in demanding 4K/HDR live production environments.
The camera can directly output remarkably crisp, clear 4K HDR* images directly from the camera head with no need for a separate processor unit. Moreover, HD HFR* up to 6x can be output from camera directly. Used standalone or part of a multi-camera shoot, the HDC-P50 can be crane-mounted or operated as a fixed camera position. It’s also ideal for a wide range of other shooting situations – such as in combination with a camera stabiliser, in handheld mode, during wireless shooting or while filming aerial footage from a helicopter.
4K HDR License as standard
Comes with Sony RCP3500
Product Manual
Panasonic UE150 PTZ Camera
Panasonic AW-UE150 4K 50P Intergrated Professional PTZ Camera - Black. The AW-UE150 will be the newest addition to Panasonic's comprehensive professional PTZ camera lineup. Featuring a 1-type MOS large sensor, this next generation PTZ camera supports high-quality 4K 50p video, features a 75.1 degree viewing angle, 20x optical zoom and supports versatile outputs, including 12G-SDI, HDMI, optical fiber and IP. Simultaneous 4K/HD operation makes this PTZ camera powerhouse ideal for those looking to future-proof their system.
The next-generation PTZ camera supports high-quality video production in stadium, lecture halls and other venues. Smooth and high-quality 4K 50p*1, high-magnification zoom and a wide shooting angle expand the range of the PTZ camera's applications. The camera is equipped with a variety of interfaces and supports simultaneous 4K/HD operation which allows for versatility in current and future production systems.
Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers.
Real-time conversion of both 4K HDR and HD HDR
AIR Matching function to retain artistic intent across distribution platforms
Enables powerful SR Live for HDR workflows
PRODUCT MANUAL
