Cameras
Showing 1–9 of 22 results
Arri Alexa 35 Camera
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensorfor 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.
The new REVEAL Colour Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and acomplete new mechanical support system round out the ALEXA 35 platform.
Sony PXW-Z750 Camcorder
The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios.
The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments.
PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space.
Sony HDC-F5500 Camera Channel
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Sony HDC-5500 Camera Channel
The HDC-5500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality – and anticipate tomorrow’s production needs while maintaining full compatibility with today’s workflows and system hardware.
A newly-developed on-board signal processor allows the HDC-5500 to output 4K signals directly without the addition of a dedicated external baseband processor unit, saving rack space in the confines of an OB vehicle or studio environment. It can also output 4K signals directly via 12G-SDI. Thanks to an all-new 4K baseband transmission system, the compact camera is ideal for use in steadicam and wireless camera systems.
Capture premium pictures with Sony’s advanced 2/3-inch 4K CMOS sensor with global shutter technology that eliminates the ‘jello effect’ and banding noise. This allows the HDC-5500 to capture pristine 4K images with exceptionally low noise (-62dB), impressive sensitivity (F10 at 1080/59.94p or F11 at 1080/50p) and high dynamic range, while achieving the ITU-R BT.2020 broadcast standard wide colour space. It’s teamed with a specially developed LSI Digital Signal Processor that fully realises the extraordinary imaging power of this new sensor.
Complete Channel With:
IP/SDI Board
4K License
High Frame Rate License
Ember+
HDCU-5500
HDVF-EL75 Viewfinder
HDVF Monocular
3500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood
Sony HDC-3500 Camera Channel
The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality – and anticipate tomorrow’s production needs while maintaining full compatibility with today’s workflows and system hardware.
Capture premium pictures with the world’s first 2/3-inch 4K CMOS sensor with global shutter technology that eliminates the ‘jello effect’ and banding noise. This allows the HDC-3500 to capture pristine images with 4K high resolution (2000TVL), exceptionally low noise (-62dB), impressive sensitivity (F10 at 1080/59.94p or F11 at 1080/50p) and high dynamic range, while achieving the ITU-R BT.2020 broadcast standard wide colour space. It’s teamed with a specially developed LSI Digital Signal Processor that fully realises the extraordinary imaging power of this new sensor.
Broaden your creative possibilities and achieve exactly the look you want in any shooting situation. Low-key Saturation ensures rich, vibrant colours in low-light areas. Powerful gamma functions give absolute control over fine-tuning tonal values, contrast and detail.
The HDC-3500 can capture High Dynamic Range images, supporting Sony’s SR Live workflow for simultaneous HDR/SDR production with reduced inventory requirements.
Complete Channel With:
IP/SDI Board
4K License
Ember+
HDCU-3500
HDVF-EL75 Viewfinder
HDVF Monocular
3500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood 
Sony HDC-4300 Camera Channel
The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets.
Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K Live Production workflows. Optional software upgrades let you add amazing 4K 2x and HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform.
Complete channel With:
HDCU4300
4K License
HDVF-EL75 Viewfinder
HDVF-EL20 or HDVF-EL10 Monocular
1500 RCP
Camera Rain Cover
Camera Shoe
Viewfinder Hood
Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.
Sony FR7 Cine PTZ
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа.
Тhе Ѕоnу FR7 РТZ саmеrа оffеrѕ сіnеmаtіс vіѕuаlѕ wіth іtѕ 35mm full-frаmе Ехmоrе R СМОЅ ѕеnѕоr. Іt іѕ сараblе оf сарturіng 4К fооtаgе еvеn аt hіgh frаmе rаtеѕ оf 120fрѕ, аnd аn іntеrnаl ѕlоw-mоtіоn funсtіоn саn ѕhооt uр tо 240fрѕ іn Full НD. Тhе ѕеnѕоr’ѕ hіgh ѕеnѕіtіvіtу аllоwѕ ІЅО lеvеlѕ tо еасh ІЅО 409600 fоr ѕhооtіng іn ехtrеmеlу lоw lіght еnvіrоnmеntѕ, аnd а 15-ѕtор lаtіtudе рrеvеntѕ оvеrblоwn hіghlіghtѕ аnd сruѕhеѕ ѕhаdоwѕ.
Воlѕtеrіng thе ѕеnѕоr іѕ thе роwеrful ВІОNZ ХR рrосеѕѕоr thаt fuеlѕ dіffеrеnt fеаturеѕ. Ѕ-Сіnеtоnе рrоduсеѕ nаturаl mіd-tоnеѕ fоr ѕkіn аnd аddѕ ѕоft соlоurѕ аnd brіllіаnt hіghlіghtѕ wіthоut thе nееd fоr ехtrа соlоur grаdіng. Ѕ-Lоg3 аnd Ѕ-Gаmut3 gаmmа сurvеѕ сарturеѕ thе full dуnаmіс rаngе іn thе ѕеnѕоr аnd rеtаіnѕ hіghlіght аnd ѕhаdоw іnfоrmаtіоn fоr роѕt рrоduсtіоn.
