Sennheiser MKH416
The Sennheiser MKH 416-P48U Microphone is an industry-standard shotgun interference tube microphone that features a supercardioid/lobar polar pattern and an extended frequency response. Delivering excellent directivity, high consonant articulation and feedback rejection, the MKH 416-P48U is perfect for outdoor recording and broadcast applications. Pressure-Gradient Microphone For Film, Radio, Television Highly Immune to Humidity High Consonant Articulation PRODUCT MANUAL
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Sennheiser MKH8070
Long shotgun microphone. Ideal for major broadcast and sporting events. Extreme directivity, reliably capturing distant sounds even under the toughest sonic and climatic conditions. Extremely weather-proof. The successor to the Sennheiser 816. Lobar Pickup High Directivity Symmetrical RF Transducer Excellent Transient Response Reliable under Tough Conditions Can Interface with Digital Systems PRODUCT MANUAL
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Sennheiser MKH418-S
The MKH 418 S is an M-S stereo shotgun microphone. Its M-S format, compact dimensions, very good consonant clarity and good spatial representation make it ideally suited for every type of application in film, radio, television and reporting, both indoors and outdoors. Increased directivity due to interference system (M) Very low noise High sensitivity Symmetrically ungrounded output without repeater Convincing spatial representation Universal application due to M-S format PRODUCT MANUAL
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Sennheiser MKH8050
Super-cardioid microphone. Perfect for recording soloists, large instruments like the grand piano but also orchestras. Balanced frequency response within the pick-up pattern. Absolute acoustical separation of instruments. Supercardioid Pattern Modular Design Ideal for Soloist Recordings Includes Capsule and XLR Module PRODUCT MANUAL
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Sennheiser 816 P48
A transformerless RF condenser microphone with a very narrow response pattern. Below 500Hz the pattern is hypercardioid, becoming more club-shaped with increasing frequency. The low-impedance capsule design makes it virtually immune to high humidity and condensation. Is is 48V phantom powered (2mA) and has a Max SPL of 128dB
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DPA 5100 Mobile Surround Mic
The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions. A completely self-contained “plug and play” solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA’s proprietary DiPMic™ (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analog output channels. The 5100’s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 dB in comparison with the signal from the main channels, in accordance with the 5.1 format. The end result of DPA’s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. Plug-and-play solution Lightweight and portable Rich, smooth and fully enveloping sound Discrete 5.1 analog output – no processing needed PRODUCT MANUAL
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Sennheiser MKH8060
Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone. Super-cardioid/lobar pick-up pattern Very natural sound Undistorted off-axis sound Exceptionally low inherent self-noise Extremely low distortion PRODUCT MANUAL
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Sennheiser MKH8020
Outstanding omni-directional instrument microphone. Ideal as a main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Wide frequency response: 10 – 60,000 Hz. Stereo pair Polar pattern: omnidirectional Modular design Frequency range: 10 - 60,000 Hz Max. SPL @ 1 kHz: 138 dB SPL Perfect for studio recording of organ, grand piano and double bass PRODUCT MANUAL
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AKG C414 XLII
The AKG C414 multi-pattern condenser microphone needs no introduction. Because of its ability to handle many different sources, it's been used in some of the world's leading broadcast facilities, recording studios, and performance stages. AKG has upped the game with the addition of their C414 XLII, improving the C414's already legendary adaptability. With its nine polar patterns, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C414 XLII condenser microphone ushers in a new standard in microphone versatility. Successor to the C 414B-TLII Now with 9 switchable directional characteristics Lock mode to save the settings Peak-Hold display Status LEDs 3-way switchable bass cut filter (0/40/80/160 Hz) 3 preattenuation pads (0/-6/-12/-18 dB) Transformerless XLR Output (FET) Incl. elastic mounting (H85), windshield (W414X) and aluminium case PRODUCT MANUAL
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