Microphones
Showing 1–9 of 21 results

Sennheiser MKH416
The Sennheiser MKH 416-P48U Microphone is an industry-standard shotgun interference tube microphone that features a supercardioid/lobar polar pattern and an extended frequency response. Delivering excellent directivity, high consonant articulation and feedback rejection, the MKH 416-P48U is perfect for outdoor recording and broadcast applications.
Pressure-Gradient Microphone
For Film, Radio, Television
Highly Immune to Humidity
High Consonant Articulation
PRODUCT MANUAL

Sennheiser MKH8070
Long shotgun microphone. Ideal for major broadcast and sporting events. Extreme directivity, reliably capturing distant sounds even under the toughest sonic and climatic conditions. Extremely weather-proof. The successor to the Sennheiser 816.
Lobar Pickup
High Directivity
Symmetrical RF Transducer
Excellent Transient Response
Reliable under Tough Conditions
Can Interface with Digital Systems
PRODUCT MANUAL

Sennheiser MKH418-S
The MKH 418 S is an M-S stereo shotgun microphone. Its M-S format, compact dimensions, very good consonant clarity and good spatial representation make it ideally suited for every type of application in film, radio, television and reporting, both indoors and outdoors.
Increased directivity due to interference system (M)
Very low noise
High sensitivity
Symmetrically ungrounded output without repeater
Convincing spatial representation
Universal application due to M-S format
PRODUCT MANUAL

Sennheiser MKH8050
Super-cardioid microphone. Perfect for recording soloists, large instruments like the grand piano but also orchestras. Balanced frequency response within the pick-up pattern. Absolute acoustical separation of instruments.
Supercardioid Pattern
Modular Design
Ideal for Soloist Recordings
Includes Capsule and XLR Module
PRODUCT MANUAL

Sennheiser 816 P48
A transformerless RF condenser microphone with a very narrow response pattern. Below 500Hz the pattern is hypercardioid, becoming more club-shaped with increasing frequency. The low-impedance capsule design makes it virtually immune to high humidity and condensation. Is is 48V phantom powered (2mA) and has a Max SPL of 128dB

DPA 5100 Mobile Surround Mic
The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions.
A completely self-contained “plug and play” solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA’s proprietary DiPMic™ (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analog output channels.
The 5100’s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 dB in comparison with the signal from the main channels, in accordance with the 5.1 format.
The end result of DPA’s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy.
The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors.
Plug-and-play solution
Lightweight and portable
Rich, smooth and fully enveloping sound
Discrete 5.1 analog output – no processing needed
PRODUCT MANUAL

Sennheiser MKH8060
Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a
full-fledged digital microphone.
Super-cardioid/lobar pick-up pattern
Very natural sound
Undistorted off-axis sound
Exceptionally low inherent self-noise
Extremely low distortion
PRODUCT MANUAL

Sennheiser MKH8020
Outstanding omni-directional instrument microphone. Ideal as a main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Wide frequency response: 10 – 60,000 Hz.
Stereo pair
Polar pattern: omnidirectional
Modular design
Frequency range: 10 - 60,000 Hz
Max. SPL @ 1 kHz: 138 dB SPL
Perfect for studio recording of organ, grand piano and double bass
PRODUCT MANUAL

AKG C414 XLII
The AKG C414 multi-pattern condenser microphone needs no introduction. Because of its ability to handle many different sources, it's been used in some of the world's leading broadcast facilities, recording studios, and performance stages. AKG has upped the game with the addition of their C414 XLII, improving the C414's already legendary adaptability. With its nine polar patterns, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C414 XLII condenser microphone ushers in a new standard in microphone versatility.
Successor to the C 414B-TLII
Now with 9 switchable directional characteristics
Lock mode to save the settings
Peak-Hold display
Status LEDs
3-way switchable bass cut filter (0/40/80/160 Hz)
3 preattenuation pads (0/-6/-12/-18 dB)
Transformerless XLR Output (FET)
Incl. elastic mounting (H85), windshield (W414X) and aluminium case
PRODUCT MANUAL