Cine
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Cine
Arri Alexa 35 Camera
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensorfor 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.
The new REVEAL Colour Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and acomplete new mechanical support system round out the ALEXA 35 platform.
Sony HDC-F5500 Camera Channel
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.
Sony FR7 Cine PTZ
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа.
Тhе Ѕоnу FR7 РТZ саmеrа оffеrѕ сіnеmаtіс vіѕuаlѕ wіth іtѕ 35mm full-frаmе Ехmоrе R СМОЅ ѕеnѕоr. Іt іѕ сараblе оf сарturіng 4К fооtаgе еvеn аt hіgh frаmе rаtеѕ оf 120fрѕ, аnd аn іntеrnаl ѕlоw-mоtіоn funсtіоn саn ѕhооt uр tо 240fрѕ іn Full НD. Тhе ѕеnѕоr’ѕ hіgh ѕеnѕіtіvіtу аllоwѕ ІЅО lеvеlѕ tо еасh ІЅО 409600 fоr ѕhооtіng іn ехtrеmеlу lоw lіght еnvіrоnmеntѕ, аnd а 15-ѕtор lаtіtudе рrеvеntѕ оvеrblоwn hіghlіghtѕ аnd сruѕhеѕ ѕhаdоwѕ.
Воlѕtеrіng thе ѕеnѕоr іѕ thе роwеrful ВІОNZ ХR рrосеѕѕоr thаt fuеlѕ dіffеrеnt fеаturеѕ. Ѕ-Сіnеtоnе рrоduсеѕ nаturаl mіd-tоnеѕ fоr ѕkіn аnd аddѕ ѕоft соlоurѕ аnd brіllіаnt hіghlіghtѕ wіthоut thе nееd fоr ехtrа соlоur grаdіng. Ѕ-Lоg3 аnd Ѕ-Gаmut3 gаmmа сurvеѕ сарturеѕ thе full dуnаmіс rаngе іn thе ѕеnѕоr аnd rеtаіnѕ hіghlіght аnd ѕhаdоw іnfоrmаtіоn fоr роѕt рrоduсtіоn.
Canon CN10 x 25 PL Lens
Capture stunning 4K quality footage thanks to outstanding optical performance, operability and reliability. This versatile and cinematic 25mm-250mm 10x CINE-SERVO lens offers further reach up to 375mm in Full Frame mode (from the standard 250mm), with its 1.5x extender.
Designed to produce sharp images from centre to outer edges, even when paired with 8K cameras. The lens also produces the beautiful warm colour tones synonymous with Canon’s cinema lens family.
The 10x zoom lens can handle a wide range of shooting situations, from 25mm wide angle, to 250mm telephoto, in a single lens. This range can be pushed to 375mm with the built-in 1.5x Optical Extender.
While the lens fully supports Super 35mm, the built-in extender that increases the image size will make the lens becomes compatible with 35mm Full Frame sensor cameras too.
Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver.
With four 12G-SDI channels, the Camracer 8K can fit any camera from simple ENG to 8K Live sport devices making it suitable for any environment and ideal for rentals.
Camracer 8K delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly.
Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address.
An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets.
Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc).
Camera synchronization supports: Two composite video signals and one timecode.
Canon CN20 x 50 PL Lens
An ultra-telephoto CINE-SERVO lens, the CN20 x 50 IAS H E1/P1 offers stunning 4K performance, 20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender). Ideal for sports events and wildlife applications.
Canon CN8 x 15 PL Lens
Designed to offer breathtaking wide-angle images for Super35mm and Full Frame¹ cameras with outstanding optical performance for HDR, 4K and 8K productions, the CN8x15 IAS S E1/P1 is ideal for broadcast and cinema applications where high image quality and performance across the entire zoom range are demanded. It offers ZEISS eXtended DataTM communication, and Cooke /i TechnologyTM via the PL mount and EF Mount communication.
