Cine

Angenieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture. The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
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Arri LCUBE CUB-2
Adapts servo-zoom lenses (Hirose 12 pin) to LBUS (Lemo 4 pin). Enables Master Grips to directly control focus, iris and zoom of a servo-zoom lens. Provides a switch to select between iris control from camera (auto-iris via camera Hirose 12 pin interface) or Master Grips (via LBUS). The LCUBE has an integrated dovetail for mounting the LCUBE Bracket (K2.0009620) or the CLM-5/cforce mini Clamp Console 19/15 mm (K2.0006176).
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Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens. Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.
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Fuji HZK Duvo 24-300mm Lens
The Fuji 24-300mm lens offers extensive coverage, with 12.5x zoom across 24-300mm as standard. This can be extended by utilizing a built-in expander, which shifts focal length by 1.5x. The result is an even greater 36-450mm range. Ideal for shoulder-mounted operation and compatible with stabilizing support systems, Duvo 24-300mm is just 270.5mm long and 2.95kg in weight. Portability and ease of use are assured for teams of all sizes, in varied locations within the live environment. Coupled with the range of coverage, operators can seize opportunities near and far, even from limited physical spaces. While broadcast cameras have traditionally contained smaller sensors, many creatives are now looking to larger formats to deliver a cinematic aesthetic. Duvo 24-300mm offers native Super 35mm sensor coverage, but sensors equivalent to full-frame can be covered via the built-in expander. This function expands the lens’s image circle by 1.5x, maintaining the same optical quality and angle of view. The optical quality in question is a result of large-diameter aspherical elements and Super ED (extra-low dispersion) lenses within Duvo 24-300mm. Ghosting, lens flare, and various forms of aberration are effectively controlled.  
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Ronford Baker Moose Grips
These Ronford Baker 'MOOSE' Bars fit onto 15m/m x 60m/m centers or 19m/m x 104m/m center bars for hand holding (with both hands). Ronford-Baker have utilised over 300 years combined experience within the film & video industries, together with the latest CNC machinery to design and manufacture a selection of high quality accessories for H.D. video cameras.
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SmallHD 703 Ultrabright Monitor
This SmallHD 703 UltraBright Directors Kitwith V-mount battery plate provides you with a 7″, 2200 cd/m² brightness monitor, a cage and sun hood, accessory handles and neck strap, as well as screen protectors, BNC cable, LEMO power lead cable, and a cleaning cloth. This kit makes it simple for the director to see what the camera sees, whether indoors or out. The included handles allow the monitor to be easily gripped, positioned, or held, while the neck strap helps prevent the monitor from crashing to the ground when held by an easily distracted operator. The UltraBright monitor’s display is easily visible outdoors even on bright days, and the included anti-reflection screen protector helps with visibility on gray, overcast, glare-riddled days. If you don’t need the anti-glare properties, you can use the included clear screen protector instead. Either protects your screen from day-to-day wear, but the screen protector will not protect your monitor or screen from impact damage. Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m² bright backlight, overcomes this environmental difficulty. The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image. A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections. On the sides of the display are the SDI and HDMI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.
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Tokina 11-20mm T2.9 Lens
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigours of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.
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Arri Alexa 35 Camera
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensorfor 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours. The new REVEAL Colour Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and acomplete new mechanical support system round out the ALEXA 35 platform.
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Fuji HZK Duvo 25-1000m Lens
The HZK DUVO 25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts.

Features

  • World's highest 40x zoom and world's longest focal length of 1000mm
  • Supporting two sensor size; Super35 and Full frame
  • Cinematic expressions with beautiful bokeh
  • Latest optical image stabilization mechanism
  • Breathing Compensation Technology
  • Controllable by both broadcast demands and wireless controllers
  • Stylish design by black tone and improved portability

Specifications

  • Focal length - 25-1000mm (with extender 1.5x 37.5-1,500mm)
  • Maximum relative aperture - 1:2.8 (25-465mm) 1:5.0 (1,000mm)
  • Minimum object distance - 3.5m
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