Showing 1–9 of 13 results
Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery. The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery. The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.
Sony FR7 Cine PTZ
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа. Тhе Ѕоnу FR7 РТZ саmеrа оffеrѕ сіnеmаtіс vіѕuаlѕ wіth іtѕ 35mm full-frаmе Ехmоrе R СМОЅ ѕеnѕоr. Іt іѕ сараblе оf сарturіng 4К fооtаgе еvеn аt hіgh frаmе rаtеѕ оf 120fрѕ, аnd аn іntеrnаl ѕlоw-mоtіоn funсtіоn саn ѕhооt uр tо 240fрѕ іn Full НD. Тhе ѕеnѕоr’ѕ hіgh ѕеnѕіtіvіtу аllоwѕ ІЅО lеvеlѕ tо еасh ІЅО 409600 fоr ѕhооtіng іn ехtrеmеlу lоw lіght еnvіrоnmеntѕ, аnd а 15-ѕtор lаtіtudе рrеvеntѕ оvеrblоwn hіghlіghtѕ аnd сruѕhеѕ ѕhаdоwѕ. Воlѕtеrіng thе ѕеnѕоr іѕ thе роwеrful ВІОNZ ХR рrосеѕѕоr thаt fuеlѕ dіffеrеnt fеаturеѕ. Ѕ-Сіnеtоnе рrоduсеѕ nаturаl mіd-tоnеѕ fоr ѕkіn аnd аddѕ ѕоft соlоurѕ аnd brіllіаnt hіghlіghtѕ wіthоut thе nееd fоr ехtrа соlоur grаdіng. Ѕ-Lоg3 аnd Ѕ-Gаmut3 gаmmа сurvеѕ сарturеѕ thе full dуnаmіс rаngе іn thе ѕеnѕоr аnd rеtаіnѕ hіghlіght аnd ѕhаdоw іnfоrmаtіоn fоr роѕt рrоduсtіоn.
Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver. With four 12G-SDI channels, the Camracer 8K can fit any camera from simple ENG to 8K Live sport devices making it suitable for any environment and ideal for rentals. Camracer 8K delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly. Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address. An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets. Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc). Camera synchronization supports: Two composite video signals and one timecode.
Canon CN20 x 50 PL Lens
An ultra-telephoto CINE-SERVO lens, the CN20 x 50 IAS H E1/P1 offers stunning 4K performance, 20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender). Ideal for sports events and wildlife applications.
Canon CN8 x 15 PL Lens
Designed to offer breathtaking wide-angle images for Super35mm and Full Frame¹ cameras with outstanding optical performance for HDR, 4K and 8K productions, the CN8x15 IAS S E1/P1 is ideal for broadcast and cinema applications where high image quality and performance across the entire zoom range are demanded. It offers ZEISS eXtended DataTM communication, and Cooke /i TechnologyTM via the PL mount and EF Mount communication.
Fujinon Cabrio 85-300mm PL Lens
Fujinon PL 85-300 Cabrio (ZK3.5x85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5x85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors. Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
Fujinon Cabrio 19-90mm PL Lens
Offering a wide to telephoto zoom coverage, the Fujinon Cabrio ZK4.7x19 19-90mm T2.9 Lens with PL mount delivers 4K optical performance in a compact design. It also features an exclusive detachable servo drive unit with zoom rocker switch, making it suitable for use as a standard PL lens or as an ENG-Style lens.
Sony AXS-AR3 Card Reader
The AXS-AR3 AXS memory reader offers an incredible maximum data read speed of up to 9.6 Gbps (1200MB/s) from AXS memory via Thunderbolt 3. This makes it easier than ever to import 6K/4K/2K RAW/X-OCN files recorded onto AXS-A memory by AXS-R7. The unit supports a daisy chain function whereby more than one reader and other devices can be connected via Thunderbolt 3 to a PC/Mac. For example, for AXS memory and SxS memory simultaneous recording users, SBAC-T40 SxS memory card reader is connected to AXS-AR3 by a daisy chin function.