Cine
Showing 10–18 of 69 results
ARRI Hi-5 Hand Unit Basic Set
The Hi-5 offers high-performance with a strong radio signal over long distances, versatility with swappable radio modules, and speed and efficiency on set. Its hardware and software architecture is future-proof, and it is known for its reliability, robustness, and long battery life. Additionally, the Hi-5 offers camera control capabilities for ARRI and third-party cameras, with pre-installed ARRI camera control included at delivery. It also has four advanced licenses available for camera control for RED, Sony, Cinefade support, and Cine RT support (Focusbug)
Primelight Design Voxbox Air
The new VoxBox Air is a mirror box that positions in front of the camera lens. It allows filmmakers to shoot down-the-lens interviews while maintaining eye contact between the interviewer and the subject.
Sony HDC-F5500V 4K Camera System
The HDC-F5500V is a Super 35mm 4K CMOS Camera System with a pre-installed variable ND Filter. This unlocks additional creative control for broadcast operators, offering a more cinematic feel. This new 'V' version gives exposure controls that are normally only available with Sony's Cinema Line, in turn making this camera preferable to a cine camera with a fibre attachment when covering live events.
Atomos Sumo 19SE 4K Monitor
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged structure, the Atomos Sumo 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.
Teradek Bolt 6 LT 750 TX/RX
The XT range of wireless video systems has been improved with the addition of the Bolt 6 Series. This new series boasts a smaller, lighter, and quieter design, making it easier to use on set. It also includes a built-in 5-pin USB for camera control, adding convenience for users.
One of the most exciting features of the Bolt 6 Series is its compatibility with the Bolt 4K. This means that users can still use their existing Bolt 4K devices while taking advantage of the 12 new frequency channels and long-range video quality improvements offered by the Bolt 6. Additionally, the Bolt 6 has no DFS channels at 6GHz and is included in the new Ultra 5 Bolt at the same price as the Bolt 4K.
DJI Ronin Pro 4 Gimbal
The DJI RS 4 Pro is a flagship stabilizer that seamlessly integrates with the DJI Focus Pro lens control system, DJI Transmission, and an extensive control ecosystem. This powerful combination provides a full-scale production solution for the film and television industry, bringing together stabilization, transmission, monitoring, focusing, and control. With the DJI RS 4 Pro, cinematographers can unleash their creativity and showcase their skills to the fullest.
The DJI RS 4 Pro is designed with professional-grade capabilities, including a powerful payload capacity of 4.5kg (10lbs) and 2nd-generation native vertical shooting for increased efficiency. Its smooth balancing, automatic screen lock, and 2nd-gen automated axis locks make it easy to use and achieve precise, millimeter-level balancing. The RS 4 Pro also features a 20% increase in motor torque, providing excellent stability for heavy cameras and multiple accessories. With LiDAR intelligent focusing and next-gen ActiveTrack Pro, the RS 4 Pro offers confident shooting and precise subject tracking, making it a versatile and powerful tool for any cinematographer.
Angenieux EZ-1 30 to 90mm T2.0 Lens
The EZ-1 30 to 90mm Cinema Lens Pack from Angenieux includes the PL mount version of of the 30 to 90mm EZ-1 zoom lens, with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 3x zoom ratio. However, the full-frame rear lens group does change the lens from a 30 to 90mm zoom that covers Super35 to a 45 to 135mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Magliner Senior Backstage
The Magliner Backstage Gemini Senior Film Cart is the most widely used hand truck in the film and audio visual industries. It is almost always used in the 4 wheel configuration, but can be quickly folded and disassembled for storage or transport.
The truck has large (260mm dia) standard Magliner pneumatic wheels and two medium (200mm dia) braked pneumatic castors near the handle. Each truck is fitted with two carpeted shelves. This model is very popular in the film industry for carrying cameras, battery packs, generators, lighting etc. The Magliner Backstage Gemini Senior can be folded to allow for easy transportation by air or otherwise.
Sony Burano 8K Camera
BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.
The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.
