Cine
Showing 10–18 of 72 results
Bright Tangerine Misfit Six Matte Box
The Misfit Six is a versatile matte box solution, measuring 6.6×6.6 inches, that can be easily configured to fit your specific filming needs. Its patented Reveal Stage allows for a seamless conversion from a 2-stage to 3-stage setup without any extra hardware. It can be attached in three different ways - clip on, rod mount, or swing away - and is compatible with 6.6 inch Frame Safe Clamp Adapters. Made with a lightweight and durable carbon fiber sunshade, the Misfit Six is the perfect tool for any filmmaking challenge. One of the standout features of the Misfit Six is its compatibility with both 6.6×6.6 inch and 4×5.65 inch filter trays, making it suitable for a wide range of lenses. With the use of our patented Reveal Stage, you can easily switch between a 2-stage and 3-stage configuration, giving you more creative control. The Misfit Six also offers a wide field of view when used with our Frame Safe clamp adapters, ensuring that you never have to worry about vignetting. Additionally, it can be mounted in a variety of ways, including clip on, rod mount, or swing away, depending on your shooting style. And with a range of accessories for shading control, such as flags and mattes, the Misfit Six allows you to maintain image quality and control unwanted flares.
Bright Tangerine Atom Matte Box
The Misfit Atom is an ultralight 2-stage matte box, designed for filmmakers seeking portability without sacrificing performance.
This kit comes equipped for 19mm Studio setups, making it ideal for professionals who need a lightweight and versatile solution.
ARRI RIA-1 with Bracket
The RIA-1 Radio Interface Adapter is a key component in ARRI's Hi-5 ecosystem, providing versatile wireless control for ARRI and third-party cameras and lenses. It supports ARRI's exchangeable radio modules, including the RF-EMIP, RF-2400, and RF-900, and can function as a receiver, transmitter, or motor controller. It also has multiple mounting interfaces, including 3/8" and M4 connectors.
In addition to its wireless control capabilities, the RIA-1 can also connect to a camera for power and control via the CAM interface. It is compatible with cforce motors and can control various camera models such as ARRI, Panavision, RED, and Sony. The RIA-1 also supports common distance measuring devices through its SERIAL interface, making it a versatile and essential tool for any production. To ensure secure mounting, the RIA-1 comes with a bracket that can be attached to camera cages and handles using two 3/8" screws and anti-twist locating pins.
ARRI Hi-5 Hand Unit Basic Set
The Hi-5 offers high-performance with a strong radio signal over long distances, versatility with swappable radio modules, and speed and efficiency on set. Its hardware and software architecture is future-proof, and it is known for its reliability, robustness, and long battery life. Additionally, the Hi-5 offers camera control capabilities for ARRI and third-party cameras, with pre-installed ARRI camera control included at delivery. It also has four advanced licenses available for camera control for RED, Sony, Cinefade support, and Cine RT support (Focusbug)
Primelight Design Voxbox Air
The new VoxBox Air is a mirror box that positions in front of the camera lens. It allows filmmakers to shoot down-the-lens interviews while maintaining eye contact between the interviewer and the subject.
Sony HDC-F5500V 4K Camera System
The HDC-F5500V is a Super 35mm 4K CMOS Camera System with a pre-installed variable ND Filter. This unlocks additional creative control for broadcast operators, offering a more cinematic feel. This new 'V' version gives exposure controls that are normally only available with Sony's Cinema Line, in turn making this camera preferable to a cine camera with a fibre attachment when covering live events.
Atomos Sumo 19SE 4K Monitor
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged structure, the Atomos Sumo 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.
Teradek Bolt 6 LT 750 TX/RX
The XT range of wireless video systems has been improved with the addition of the Bolt 6 Series. This new series boasts a smaller, lighter, and quieter design, making it easier to use on set. It also includes a built-in 5-pin USB for camera control, adding convenience for users.
One of the most exciting features of the Bolt 6 Series is its compatibility with the Bolt 4K. This means that users can still use their existing Bolt 4K devices while taking advantage of the 12 new frequency channels and long-range video quality improvements offered by the Bolt 6. Additionally, the Bolt 6 has no DFS channels at 6GHz and is included in the new Ultra 5 Bolt at the same price as the Bolt 4K.
DJI Ronin Pro 4 Gimbal
The DJI RS 4 Pro is a flagship stabilizer that seamlessly integrates with the DJI Focus Pro lens control system, DJI Transmission, and an extensive control ecosystem. This powerful combination provides a full-scale production solution for the film and television industry, bringing together stabilization, transmission, monitoring, focusing, and control. With the DJI RS 4 Pro, cinematographers can unleash their creativity and showcase their skills to the fullest.
The DJI RS 4 Pro is designed with professional-grade capabilities, including a powerful payload capacity of 4.5kg (10lbs) and 2nd-generation native vertical shooting for increased efficiency. Its smooth balancing, automatic screen lock, and 2nd-gen automated axis locks make it easy to use and achieve precise, millimeter-level balancing. The RS 4 Pro also features a 20% increase in motor torque, providing excellent stability for heavy cameras and multiple accessories. With LiDAR intelligent focusing and next-gen ActiveTrack Pro, the RS 4 Pro offers confident shooting and precise subject tracking, making it a versatile and powerful tool for any cinematographer.
