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Tiffen Black Pro-Mist Filter 1/4″
1/4″ Black Pro-Mist filter for the Fuji HZK range
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Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver.
Features:
- With two 3G-SDI channels, the CAM RACER can fit any camera from simple ENG to 3G professional sport devices making it suitable for any environment and ideal for rentals.
- CAM RACER delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly.
- Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address.
- An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets.
- Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc).
- Camera synchronization supports: Two composite video signals and one timecode.
Canon CN10 x 25 PL Lens
Capture stunning 4K quality footage thanks to outstanding optical performance, operability and reliability. This versatile and cinematic 25mm-250mm 10x CINE-SERVO lens offers further reach up to 375mm in Full Frame mode (from the standard 250mm), with its 1.5x extender.
Designed to produce sharp images from centre to outer edges, even when paired with 8K cameras. The lens also produces the beautiful warm colour tones synonymous with Canon’s cinema lens family.
The 10x zoom lens can handle a wide range of shooting situations, from 25mm wide angle, to 250mm telephoto, in a single lens. This range can be pushed to 375mm with the built-in 1.5x Optical Extender.
While the lens fully supports Super 35mm, the built-in extender that increases the image size will make the lens becomes compatible with 35mm Full Frame sensor cameras too.
Wooden Camera Bridgeplate (19mm)
Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings.
Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5, Canon C100mkII/C300mkII, C100C300/C500, Blackmagic URSA Mini, Panasonic VariCam 35, VariCam LT, and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
