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Fuji HZK DUVO 14-100mm Lens
Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts.
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Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Wooden Camera Bridgeplate (19mm)
Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings.
Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5, Canon C100mkII/C300mkII, C100C300/C500, Blackmagic URSA Mini, Panasonic VariCam 35, VariCam LT, and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet.
Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver.
Features:
- With two 3G-SDI channels, the CAM RACER can fit any camera from simple ENG to 3G professional sport devices making it suitable for any environment and ideal for rentals.
- CAM RACER delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly.
- Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address.
- An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets.
- Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc).
- Camera synchronization supports: Two composite video signals and one timecode.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
