Back to Cine
Tiffen Black Pro-Mist Filter 5.65 1/8″
Tiffen Black Pro-Mist Filter 5.65 1/8″
Related products
Arri LCUBE CUB-2
Adapts servo-zoom lenses (Hirose 12 pin) to LBUS (Lemo 4 pin). Enables Master Grips to directly control focus, iris and zoom of a servo-zoom lens. Provides a switch to select between iris control from camera (auto-iris via camera Hirose 12 pin interface) or Master Grips (via LBUS). The LCUBE has an integrated dovetail for mounting the LCUBE Bracket (K2.0009620) or the CLM-5/cforce mini Clamp Console 19/15 mm (K2.0006176).
Wooden Camera Bridgeplate (19mm)
Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings.
Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5, Canon C100mkII/C300mkII, C100C300/C500, Blackmagic URSA Mini, Panasonic VariCam 35, VariCam LT, and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet.
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Sony Venice-2 6K Digital Cine Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Features:
- 36x24mm Full-Frame Sensor for Cinema
- Full-Frame full width 36 mm 8K and 6K
- Super35 Anamorphic desqueeze
- Super35 17:9 and 16:9
- Phenomenal Latitude
- More Colours for More Expression
- High Frame Rate
- Fast Shutter
- Interchangeable Image Sensors
Specifications:
- VENICE Extension System 2
- Colour fidelity of In-Camera VFX
- Internal 16-bit X-OCN and 4K ProRes Recording in a Compact body
- PL Lens Mount - Lever Lock Type E-mount
- 8-step Mechanical ND Filters
