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VOCAS USBP-15 MKII
15 mm Universal shoulder base plate to convert any camera into a shoulder mounted camera. The USBP-15 MKII is a height adjustable shoulder baseplate with a unique quick release balancing system to find optimal balance and stability with all kind of different camera/lens combinations.
Related products
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Sony Venice-2 6K Digital Cine Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Features:
- 36x24mm Full-Frame Sensor for Cinema
- Full-Frame full width 36 mm 8K and 6K
- Super35 Anamorphic desqueeze
- Super35 17:9 and 16:9
- Phenomenal Latitude
- More Colours for More Expression
- High Frame Rate
- Fast Shutter
- Interchangeable Image Sensors
Specifications:
- VENICE Extension System 2
- Colour fidelity of In-Camera VFX
- Internal 16-bit X-OCN and 4K ProRes Recording in a Compact body
- PL Lens Mount - Lever Lock Type E-mount
- 8-step Mechanical ND Filters
Ereca Camracer 8k
The Camracer is a complete optical fiber transmission solution for camera connections on Outside Broadcast, Studio and Cinema applications. It is composed of a camera-dockable transmitter, agnostic to any type or brand of Camera and a 1RU basestation receiver.
Features:
- With two 3G-SDI channels, the CAM RACER can fit any camera from simple ENG to 3G professional sport devices making it suitable for any environment and ideal for rentals.
- CAM RACER delivers 140 Watts to the camera. An automatic battery backup will help the remote powering system if more power is needed suddenly.
- Signals control and Setup is done through internal web server. Most signals are also reported on LED display of each unit. An Oled display gives direct access to optical receiving levels and server IP address.
- An internal audio mixer allows user to mix between talkback, programs inputs and local audio channels for Eng and Reporter headsets.
- Camera control channel supports: Ethernet, RS422 Serial, Canon RC-V100 protocol (Enhanced Lanc).
- Camera synchronization supports: Two composite video signals and one timecode.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
