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Tiffen Glimmerglass Filter 1/8″
Tiffen Glimmerglass Filter 1/8″
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Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens.
Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.
Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Ronford Baker Moose Grips
These Ronford Baker 'MOOSE' Bars fit onto 15m/m x 60m/m centers or 19m/m x 104m/m center bars for hand holding (with both hands).
Ronford-Baker have utilised over 300 years combined experience within the film & video industries, together with the latest CNC machinery to design and manufacture a selection of high quality accessories for H.D. video cameras.
