Cine Lenses
Showing 1–9 of 21 results
Canon CN5x11 IAS Cine Lens
A full frame Cine Servo lens with an expansive wide-angle zoom range, appealing to live action, news, compact studios, to documentary, drama, and virtual productions.
With advanced metadata support, and a new generation e-Xs V digital servo drive unit, and built-in 1.5x extender for both full frame and Super35 support, the CN5x11 IAS T R1/P1 delivers outstanding optical performance and precision for your HDR, 4K and 8K productions.
A faster servo than the previous drive unit allows for a more responsive iris, which, along with the renowned focus and zoom speeds, making the e-Xs V drive optimised for sports broadcasts and live events.
Canon UJ122 x8.3B 4K NOVEL Lens
The UHD-DIGISUPER 122 'Novel Look' is the 'novel look' version of the UJ122, it includes Canon's advanced optical unit that gives images from a traditional 2/3" camera the Super 35 Cine look. Whilst giving the filmic look that is becoming ever so much more popular in Live Events, the fact that the Novel is still a 2/3" lens means it keeps the range that just isn't possible with a Super 35 lens.
Livewhire have Sony's HDC-3500V and HDC-P50AV. These system cameras have a Variable ND Filter allowing large aperture whilst still controlling exposure. These cameras combined with the 'Novel Look' lenses give a shallow depth of field and Bokeh, normally only associated with larger format lenses.
Sony FE 14mm F1.8 GM lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Sony FE 50-150mm F2 GM Lens
The Sony FE 50-150mm f/2 GM Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.
Angenieux EZ-1 30 to 90mm T2.0 Lens
The EZ-1 30 to 90mm Cinema Lens Pack from Angenieux includes the PL mount version of of the 30 to 90mm EZ-1 zoom lens, with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 3x zoom ratio. However, the full-frame rear lens group does change the lens from a 30 to 90mm zoom that covers Super35 to a 45 to 135mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Fuji HZK Duvo 25-1000m Lens
The HZK DUVO 25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts.
Features
- World's highest 40x zoom and world's longest focal length of 1000mm
- Supporting two sensor size; Super35 and Full frame
- Cinematic expressions with beautiful bokeh
- Latest optical image stabilization mechanism
- Breathing Compensation Technology
- Controllable by both broadcast demands and wireless controllers
- Stylish design by black tone and improved portability
Specifications
- Focal length - 25-1000mm (with extender 1.5x 37.5-1,500mm)
- Maximum relative aperture - 1:2.8 (25-465mm) 1:5.0 (1,000mm)
- Minimum object distance - 3.5m
Angénieux Optimo Ultra 12x PL Lens
he Optimo Ultra 12x is a revolutionary zoom lens with a completely new optical design that allows for full frame coverage. It boasts well-controlled optical performances at each focal length and focus distance, striking a perfect balance between contrast and resolution. This results in a cinematic look that is highly appealing. The lens also offers superb image quality even at open aperture, making it comparable to variable prime lenses. With minimal distortion, no ramping, and fast 12x zoom ratios, it is a highly efficient and versatile lens.
Aside from its optical capabilities, the Optimo Ultra 12x also features a newly designed and improved mechanical system. It has a shorter MOD (minimum object distance) of 1.22m/4' for the S35 version, 1.24m/4'1" for the U35 version, and less than 1.5m/5' for the FF/VV version. The focus ring is precise and ergonomic, with a rotation scale of 321 degrees - the largest in the industry. It also has over 70 focus marks and user-changeable focus marking rings. The lens is made with lightweight materials and has an anti-abrasion coating, making it suitable for extreme shooting environments. With its IRO technology, the Optimo Ultra 12x can be configured to cover three different formats: S35, U35, and FF/VV. Overall, it is the perfect zoom lens for high-end productions such as feature films, TV series, live stage, commercials, and music videos.
Fuji HZK DUVO 14-100mm Lens
Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts.
Canon EF 8-15MM F/4L Fisheye USM Lens
A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.
