Cine
Showing 37–45 of 72 results
Arri LCUBE CUB-2
Adapts servo-zoom lenses (Hirose 12 pin) to LBUS (Lemo 4 pin). Enables Master Grips to directly control focus, iris and zoom of a servo-zoom lens. Provides a switch to select between iris control from camera (auto-iris via camera Hirose 12 pin interface) or Master Grips (via LBUS). The LCUBE has an integrated dovetail for mounting the LCUBE Bracket (K2.0009620) or the CLM-5/cforce mini Clamp Console 19/15 mm (K2.0006176).
Atomos Ninja Ultra 5″ Monitor
A comprehensive upgrade on all of the Ninjas that came before it, the Atomos Ninja Ultra features a wide 5.2 inch screen to make framing the shot that bit easier. Combined with the right camera, this external monitor/recorder can help capture ProRes RAW material in a maximum resolution of 8k, and DCI 4K HDMI footage is also supported. The Atomos operating system has also been given a hefty upgrade, so alongside the convenience of a wider screen, you gain a few brand new features, including Focus Peaking, Zoom, Atomos and ARRI False Colour, EL Zone colourised exposure, Safe Areas, RecordAssist, PlayBackAssist, SegmentPro, Cine Guides and plenty more. In short, the Ninja Ultra literally keeps things ultra-practical to ensure you can achieve the perfect shot. The 1920 x 1080 full HD screen resolution is supported by a 1000 cd/m2 maximum brightness so it even serves as a clear viewfinder in bright daylight.
Sony FE 24-70mm F2.8 GM Lens
Beyond the attributes of the lens system itself, this 24-70mm is also characterized by a Direct Drive SSM (Super Sonic wave Motor) system that provides fast, quiet AF performance as well as responsive manual focus handling. The lens is also dust- and moisture-sealed, to permit working in inclement weather conditions, and nuanced details, such as a focus hold button and rubberized control dials, further the intuitiveness in handling.As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.Covering wide-angle to portrait-length perspectives, this standard 24-70mm zoom is designed for full-frame E-mount mirrorless cameras and is also compatible with APS-C models, where it will provide a 36-105mm equivalent focal length range.Constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
