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Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.

Canon CJ20ex5b 4K Lens
A hybrid concept that offers 5.0mm wide angle to 100mm telephoto (10-200mm with 2x extender), for a wide variety of broadcast applications
With 4K resolution from the centre of the image to the outer edges and advanced lens Coatings, the lens virtually removes chromatic aberration, ghosting & flare and provides stunning UHDxs optical quality.
3x 20-pin connectors enable readouts of highly accurate positional information for virtual applications even when using the zoom and focus controllers at the same time. A high resolution 16-bit encoder ensures accurate positional information detection, for easy calibration without initialising the lens as well as precise tracking when matching actual and virtual images.

Sony AXS-AR3 Card Reader
The AXS-AR3 AXS memory reader offers an incredible maximum data read speed of up to 9.6 Gbps (1200MB/s) from AXS memory via Thunderbolt 3. This makes it easier than ever to import 6K/4K/2K RAW/X-OCN files recorded onto AXS-A memory by AXS-R7.
The unit supports a daisy chain function whereby more than one reader and other devices can be connected via Thunderbolt 3 to a PC/Mac.
For example, for AXS memory and SxS memory simultaneous recording users, SBAC-T40 SxS memory card reader is connected to AXS-AR3 by a daisy chin function.