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Canon EF 8-15MM F/4L Fisheye USM Lens
A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.
Categories: Cine, Cine Lenses
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Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.

Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens.
Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.

SmallHD 703 7″ Monitor
This SmallHD 703 UltraBright Directors Kitwith V-mount battery plate provides you with a 7″, 2200 cd/m² brightness monitor, a cage and sun hood, accessory handles and neck strap, as well as screen protectors, BNC cable, LEMO power lead cable, and a cleaning cloth. This kit makes it simple for the director to see what the camera sees, whether indoors or out. The included handles allow the monitor to be easily gripped, positioned, or held, while the neck strap helps prevent the monitor from crashing to the ground when held by an easily distracted operator.
The UltraBright monitor’s display is easily visible outdoors even on bright days, and the included anti-reflection screen protector helps with visibility on gray, overcast, glare-riddled days. If you don’t need the anti-glare properties, you can use the included clear screen protector instead. Either protects your screen from day-to-day wear, but the screen protector will not protect your monitor or screen from impact damage.
Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m² bright backlight, overcomes this environmental difficulty. The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image.
A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections.
On the sides of the display are the SDI and HDMI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.

Bright Tangerine Misfit Matte Box
Capture your perfect shot with the Misfit Kick 360 Mk II matte box. This versatile kit allows for 360-degree rotation and is compatible with a variety of filters and lenses. Whether you need to reduce glare, add a polariser, or control flares, the Misfit Kick 360 Mk II has you covered.
The matte box offers maximum coverage for cine-servo lenses and can support trays and filters up to 5.65x5.65″. With the added Torsion Plate, vibrations are effectively absorbed, providing enhanced handling and performance. Plus, with the Frame Safe clamp adapters, the Misfit Kick 360 Mk II can adapt to any lens, making it a must-have for any filmmaker.