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Sony FE 50-150mm F2 GM Lens
The Sony FE 50-150mm f/2 GM Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.
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Fujinon Cabrio 85-300mm PL Lens
Fujinon PL 85-300 Cabrio (ZK3.5x85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5x85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
Sony HDLA-3505 Large Lens Adaptor
The HDLA-3505 allows operation of the HDC/HSC cameras together with large studio/OB lenses and viewfinders. It provides a very simple one-touch cable-free mounting of the camera head so that it can be quickly and easily converted from hand-held to tripod configuration. It has a LCD display panel to assign the frequently used favorable functions SDI input video signal.
Featrues:
- Quick mounting of portable camera head by one-touch instant docking mechanism
- Compatible with HDVF viewfinders
- LCD display panel
- Assignable features
- SDI input and Through output
- Electronic paper for camera number
- USB connectors
- Wide selection of shotgun microphones
Canon CN10 x 25 PL Lens
Capture stunning 4K quality footage thanks to outstanding optical performance, operability and reliability. This versatile and cinematic 25mm-250mm 10x CINE-SERVO lens offers further reach up to 375mm in Full Frame mode (from the standard 250mm), with its 1.5x extender.
Designed to produce sharp images from centre to outer edges, even when paired with 8K cameras. The lens also produces the beautiful warm colour tones synonymous with Canon’s cinema lens family.
The 10x zoom lens can handle a wide range of shooting situations, from 25mm wide angle, to 250mm telephoto, in a single lens. This range can be pushed to 375mm with the built-in 1.5x Optical Extender.
While the lens fully supports Super 35mm, the built-in extender that increases the image size will make the lens becomes compatible with 35mm Full Frame sensor cameras too.
Fuji HZK Duvo 24-300mm Lens
The Fuji 24-300mm lens offers extensive coverage, with 12.5x zoom across 24-300mm as standard. This can be extended by utilizing a built-in expander, which shifts focal length by 1.5x. The result is an even greater 36-450mm range.
Ideal for shoulder-mounted operation and compatible with stabilizing support systems, Duvo 24-300mm is just 270.5mm long and 2.95kg in weight. Portability and ease of use are assured for teams of all sizes, in varied locations within the live environment. Coupled with the range of coverage, operators can seize opportunities near and far, even from limited physical spaces.
While broadcast cameras have traditionally contained smaller sensors, many creatives are now looking to larger formats to deliver a cinematic aesthetic. Duvo 24-300mm offers native Super 35mm sensor coverage, but sensors equivalent to full-frame can be covered via the built-in expander. This function expands the lens’s image circle by 1.5x, maintaining the same optical quality and angle of view.
The optical quality in question is a result of large-diameter aspherical elements and Super ED (extra-low dispersion) lenses within Duvo 24-300mm. Ghosting, lens flare, and various forms of aberration are effectively controlled.
