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Sony RCP-1500
The RCP-1500 remote control panel incorporates an LCD display with direct operation switches and a touch panel, which makes it a remote control panel that offers both ease of operation and multi-functionality that compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Up to four units can be mounted in a 19-inch EIA rack.
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Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.
Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers.
Real-time conversion of both 4K HDR and HD HDR
AIR Matching function to retain artistic intent across distribution platforms
Enables powerful SR Live for HDR workflows
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Sony FR7 Cine PTZ
А РТZ саmеrа unlіkе аnу оthеr, thе Ѕоnу ІLМЕ-FR7 Сіnеmа Lіnе РТZ саmеrа саn іntеrсhаngе wіth Е-mоunt lеnѕеѕ tо асhіеvе trulу сіnеmаtіс rеѕultѕ. Соuрlеd wіth а full-frаmе іmаgе ѕеnѕоr thаt саn сарturе 4К120fрѕ fооtаgе, іt іѕ nоw роѕѕіblе tо mаtсh ѕhаllоw dерthѕ оf fіеld wіth thе сrеаtіvе роѕіtіоnіng оf а РТZ саmеrа. Wіth ѕuреrb соmраtіbіlіtу аnd соnnесtіvіtу, thе FR7 іѕ а trulу hіgh-еnd саmеrа.
Тhе Ѕоnу FR7 РТZ саmеrа оffеrѕ сіnеmаtіс vіѕuаlѕ wіth іtѕ 35mm full-frаmе Ехmоrе R СМОЅ ѕеnѕоr. Іt іѕ сараblе оf сарturіng 4К fооtаgе еvеn аt hіgh frаmе rаtеѕ оf 120fрѕ, аnd аn іntеrnаl ѕlоw-mоtіоn funсtіоn саn ѕhооt uр tо 240fрѕ іn Full НD. Тhе ѕеnѕоr’ѕ hіgh ѕеnѕіtіvіtу аllоwѕ ІЅО lеvеlѕ tо еасh ІЅО 409600 fоr ѕhооtіng іn ехtrеmеlу lоw lіght еnvіrоnmеntѕ, аnd а 15-ѕtор lаtіtudе рrеvеntѕ оvеrblоwn hіghlіghtѕ аnd сruѕhеѕ ѕhаdоwѕ.
Воlѕtеrіng thе ѕеnѕоr іѕ thе роwеrful ВІОNZ ХR рrосеѕѕоr thаt fuеlѕ dіffеrеnt fеаturеѕ. Ѕ-Сіnеtоnе рrоduсеѕ nаturаl mіd-tоnеѕ fоr ѕkіn аnd аddѕ ѕоft соlоurѕ аnd brіllіаnt hіghlіghtѕ wіthоut thе nееd fоr ехtrа соlоur grаdіng. Ѕ-Lоg3 аnd Ѕ-Gаmut3 gаmmа сurvеѕ сарturеѕ thе full dуnаmіс rаngе іn thе ѕеnѕоr аnd rеtаіnѕ hіghlіght аnd ѕhаdоw іnfоrmаtіоn fоr роѕt рrоduсtіоn.
Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
