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The RCP-3500 remote control panel incorporates a brighter LCD display with direct operation switches and a touch panel, visibility improved by higher resolution and brighter LCD device which makes it a remote-control panel that offers both ease of operation and multi-functionality that compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Up to four units can be mounted in a 19-inch EIA rack.
Panasonic AW-RP60 Controller
The all-new AW-RP60 Remote Camera Controller. Equipped with a large LCD to display a GUI menu screen with clear visibility and an improved joystick for smoother control, this controller is compatible with all current Panasonic PTZ models. Thanks to the improved GUI, now all important information about the cameras, such as iris, zoom and focus can be seen at all times directly on the screen. The AW-RP60 is also capable of supporting up to 200 cameras in 20 groups, manages 100 presets and comes with PoE support allowing for an easy integration. Equipped with a 3.5-type LCD screen New Joystick with enhanced operability Flexible customisation features PoE2 support/Advanced camera adjustment Product Manual
Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers. Real-time conversion of both 4K HDR and HD HDR AIR Matching function to retain artistic intent across distribution platforms Enables powerful SR Live for HDR workflows PRODUCT MANUAL
Sony HDC-F5500 Camera Channel
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama. At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Sony Venice-2 8K Camera
eaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery. The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera's dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations. The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.