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Panasonic AW-RP150G Controller
Тhе Раnаѕоnіс АW-RР150 Тоuсhѕсrееn Rеmоtе Саmеrа Соntrоllеr fеаturеѕ а оnе-hаnd ореrаtіоn јоуѕtісk (соntrоllіng Раn, Тіlt аnd Zооm оr Fосuѕ) аnd а lаrgе 7-іnсh tоuсh-раnеl LСD ѕсrееn реrfесt fоr mоnіtоrіng, mеnu ѕеttіng, uѕеr buttоnѕ аnd ѕtаtuѕ іnfоrmаtіоn. Раnаѕоnіс hаѕ іnсludеd а 3G-ЅDІ іnрut thаt аllоwѕ fоr ѕіmultаnеоuѕ ехtеrnаl mоnіtоrіng аnd аllоwѕ fоr quісk ассеѕѕ tо thе tоuсh раnеl whісh саn thеn bе uѕеd fоr ѕресіfіс ѕеttіngѕ. Тhе unіt саn аlѕо bе роwеrеd wіth РоЕ+, еlіmіnаtіng thе nееd fоr аddіtіоnаl роwеr ѕuррlу саblіng.
Category: Cameras
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Sony Venice-2 6K Camera
Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sony PXW-Z750 Camcorder
The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios.
The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments.
PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space.

Sony HDC-P50
The HDC-P50 is a light, compact Point of View (POV) system camera. Integrating seamlessly with existing HD infrastructure, lenses and accessories, it gives ambitious programme makers exciting new possibilities for creating HD, 4K HDR and HD HFR productions.
This light and compact POV system camera features the world’s first 2/3-inch 4K global shutter three CMOS sensor system that delivers exceptional image with impressive sensitivity and wide dynamic range.
Thanks to ultra-high precision alignment technology, three 4K sensors on the newly-developed prism achieves ITU-R BT.2020 broadcast standard widened colour space. As a result, the HDC-P50 delivers exceptionally high-quality images in demanding 4K/HDR live production environments.
The camera can directly output remarkably crisp, clear 4K HDR* images directly from the camera head with no need for a separate processor unit. Moreover, HD HFR* up to 6x can be output from camera directly. Used standalone or part of a multi-camera shoot, the HDC-P50 can be crane-mounted or operated as a fixed camera position. It’s also ideal for a wide range of other shooting situations – such as in combination with a camera stabiliser, in handheld mode, during wireless shooting or while filming aerial footage from a helicopter.
4K HDR License as standard
Comes with Sony RCP3500
Product Manual

Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers.
Real-time conversion of both 4K HDR and HD HDR
AIR Matching function to retain artistic intent across distribution platforms
Enables powerful SR Live for HDR workflows
PRODUCT MANUAL