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TV Logic LUM-242H Monitor
The LUM-242H is a 24 inch monitor with UHD resolution (3840 x 2160), high luminance up to 1,000cd/㎡, a 10-bit color depth, high contrast ratio of 1,000 : 1 and wide viewing angle. The LUM-242H supports various standard color gamuts including 90% DCI-P3 coverage. It supports 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0 input.
Related products
Telecast SHED HDX
SHED stands for SMPTE Hybrid Elimination Device, and that is what it is. It is a small adapter that allows you to use ordinary single-mode optical fibre for your HD, 4K and slow-motion camera links and in your venue/facility infrastructure, and eliminate bulky hybrid wire/ fibre.
SHED adapter shown with HDX camera power unit cables. Use two small adapters — one at your base station and one at your camera — and locally power your camera, or use the HDX unit to power the camera through the hybrid tail cable. With the SHED units you can support several cameras on one lightweight fibre cable.
Allows the use of conventional single-mode fiber cable
Uses common SMPTE ST 304 connectors for a hybrid link
Extends manufacturer’s distance limits of the camera/CCU
Supports Sony cameras
Built-in optical power meter
Cameras Supported: Sony 1500/1500R/2500/4300
PRODUCT MANUAL
Ereca Stage Racer
The Stage Racer product line is an ultra flexible solution to connect a stage to an OB VAN.
With the ERECA unique feature for on the fly direction configurable 3G-SDI channels and the numerous commodities signal transmitted along the videos, the stage racer is the product of choice for an affordable fast and easy event deployment.
All our Stage Racers are built in to bespoke 6U racks to utilise all signal functionality.
The equipment assumes transmission of a comprehensive set of signals as follows:
8 or 12 x video 3G / HD / SDI signals (direction configurable through built in web server),
1 x Genlock bidirectional (PAL image / Black burst / Tri-level),
16 x analog audio for intercom or broadcasting,
8 x Microphone pre-amp blocks
2 x Ethernet 10/100/1000Mbs (1 Gigabit trunk with 2 VLANS),
4 x Data RS 232/422/485,
8 x Contact closures.
4 x AES 3 bidirectional (Riedel panel compatible)
1 x bidirectional MADI (AES10) Signal (Shared with 2 of the 4 AES connectors).
For flexible setup the mechanical is declined in a 1U rack which fits everywhere and in a very rugged compact die cast aluminum box. This latter enclosure ensures excellent shock/drop protection along with dust and water resistant capacity for all “no fly case” applications. Links can be built between racks, rugged boxes or rack and rugged box.
All the signals are transmitted on 2 singlemode fibers. As an option, an optical cable failover is built inside the modules by adding a second connector. In case of fiber break the equipment automatically select the other cable.
PRODUCT MANUAL
Aja FS-HDR Converter
FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms.
In Single Channel Mode, FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR/WCG transformation. In 4-Channel Mode, FS-HDR offers 4 independent channels of 2K/HD HDR/WCG transformations as well as up, down, and cross conversions.
Canon DP-V1830 HDR Monitor
Maintain a consistent reference throughout production and postproduction as you shoot and/or monitor 4K with this 18.4" Canon DP-V1830 UHD 4K Reference Display rack-mountable monitor, which can also be used as a portable studio or location monitor. This reference display is ideal for broadcast and cine-style video productions that monitor in up to 4K. The monitor supports 12G-SDI and has 4 x BNC inputs and 4 x BNC loop through outputs as well as 1 x HDMI input. It features a panel with a native resolution of 3840 x 2160 that displays UHD 4K natively, while providing two options for displaying 4K DCI. The monitor supports SDR as well as HDR for display and has a nifty SDR/HDR split-screen function, so you can do an on-set compare of your footage.
The LED panel is consistent with other models in the Canon reference display line, which allows you to trust your image will display consistently from monitor to monitor as your production moves through the production/postproduction pipeline. Combining a peak brightness of 1000 cd/m² with Canon's backlight control allows the monitor to reach a contrast ratio of 1,000,000:1 with right un-clipped whites, and deep blacks.
