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Wooden Camera Bridgeplate (19mm)
Unified Bridgeplate (19mm) is an ARRI standard bridge plate with 19mm studio rods (rods spaced 104mm center to center). New design allows the Bridgeplate to be converted from RED standard height to ARRI standard height making it compatible with any type of camera rig. Rubberized top coating prevents twisting and slotted design accommodates non-standard screw spacings.
Combine with Unified Baseplates for correct rod height on cameras like Sony FS7, FS5, F55/F5, Canon C100mkII/C300mkII, C100C300/C500, Blackmagic URSA Mini, Panasonic VariCam 35, VariCam LT, and risers for RED Weapon/Scarlet-W/Raven, and Epic/Scarlet.
Categories: Cine, Cine Accessories
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SmallHD 703 7″ Monitor
This SmallHD 703 UltraBright Directors Kitwith V-mount battery plate provides you with a 7″, 2200 cd/m² brightness monitor, a cage and sun hood, accessory handles and neck strap, as well as screen protectors, BNC cable, LEMO power lead cable, and a cleaning cloth. This kit makes it simple for the director to see what the camera sees, whether indoors or out. The included handles allow the monitor to be easily gripped, positioned, or held, while the neck strap helps prevent the monitor from crashing to the ground when held by an easily distracted operator.
The UltraBright monitor’s display is easily visible outdoors even on bright days, and the included anti-reflection screen protector helps with visibility on gray, overcast, glare-riddled days. If you don’t need the anti-glare properties, you can use the included clear screen protector instead. Either protects your screen from day-to-day wear, but the screen protector will not protect your monitor or screen from impact damage.
Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m² bright backlight, overcomes this environmental difficulty. The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image.
A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections.
On the sides of the display are the SDI and HDMI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.

Chroziel CDM-LP-I Iris Motor
Adjust the aperture of your cine zoom or prime lens using this Lensport Iris Motor from Chrosziel and its universal connectivity. The motor features an integrated 12-pin Hirose connector cable which inserts into your compatible camera's Hirose output port. Both control and power are delivered via this connection and camera-specific broadcast protocol with a torque of 0.5 N-m. Mount the motor on your camera configuration via a 15mm rod clamp and slide it along the rod to accommodate the length of your lens. Two 0.8 MOD gears in different diameters can be switched out to properly attach to your mounted lens.
Once the motor's cable is connected to the corresponding port of your camera, it will automatically calibrate itself and find the end-stops of your lens. If you'd like to use metadata calibration, put the motor into passive mode and turn your lens' aperture ring to confirm the position of T-stop 4 and T-stop 16. The motor can be used in remote control operation via the RCP or WebGUI of your connected camera. It can also be used with auto-iris functionality.

Sony HDC-F5500 4K/HD Camera System
The Sony HDC-F5500 Super 35mm 4K CMOS Camera System is the newest addition to Sony’s camera lineup with global shutter sensor.
The extraordinary performance of this new camera system takes live entertainment production to the next level. Building on the success of Sony’s acclaimed HDC-5500, the Sony HDC-F5500’s Super 35mm 4K CMOS sensor delivers extraordinary clarity, realism and shallow depth of field with every scene, from wide beauty shots to tight close-ups. Numerous workflow enhancements – including IP networking, remote multi-camera operation and in-CCU recording improve the most demanding live entertainment productions including sport, music and drama.
At the heart of this camera system is Sony’s Super 35mm 4K CMOS sensor. Bringing new creative possibilities to live production, the HDC camera series, this large sensor achieves high sensitivity with an impressive signal-to-noise ratio. It’s teamed with proven global shutter technology to capture stable, precise 4K (UHD) images even with fast-moving subjects: ideal for sport and live entertainment productions involving LED displays and laser beams.
Features:
- Direct 4K output without need for dedicated external baseband processor unit
- Optical fibre transmission as standard
- Backwards compatibility with Sony HDC-2000 series
- Display camera number and tally
- Multi-speed slo-motion acquisition
Multi-speed slo-motion
Optional licences enable this camera to capture HD images in high fram-rate (HFR) at 8x, 6x, 4x, 3, and 2x.
Vocas E-mount to PL Adapter
This adapter allows for the usage of full-frame PL-lenses on an E-mount camera.
This adapter is perfect for those who want to use PL lenses on their E-mount camera without sacrificing image quality. With the added bonus of the Vocas PL mount cap, users can easily protect their PL lenses when not in use.