Lenses
Showing 1–9 of 31 results
Sony FE 14mm F1.8 GM lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Fuji HZK Duvo 25-1000m Lens
The HZK DUVO 25-1000mm is a box-type broadcast zoom lens in the dual format, supporting two types of large image sensors. It can be mounted on cameras equipped with the Super 35mm sensor or the even larger sensor equivalent to 35mm full frame. The lens achieves optical performance which exceeds 4K. It also facilitates the use of cinema cameras which is becoming increasingly common in the broadcast industry, offering cinematic visual expressions such as shallow depth-of-field for beautiful bokeh in live coverage of sporting events and music concerts.
Features
- World's highest 40x zoom and world's longest focal length of 1000mm
- Supporting two sensor size; Super35 and Full frame
- Cinematic expressions with beautiful bokeh
- Latest optical image stabilization mechanism
- Breathing Compensation Technology
- Controllable by both broadcast demands and wireless controllers
- Stylish design by black tone and improved portability
Specifications
- Focal length - 25-1000mm (with extender 1.5x 37.5-1,500mm)
- Maximum relative aperture - 1:2.8 (25-465mm) 1:5.0 (1,000mm)
- Minimum object distance - 3.5m
Angénieux Optimo Ultra 12x PL Lens
he Optimo Ultra 12x is a revolutionary zoom lens with a completely new optical design that allows for full frame coverage. It boasts well-controlled optical performances at each focal length and focus distance, striking a perfect balance between contrast and resolution. This results in a cinematic look that is highly appealing. The lens also offers superb image quality even at open aperture, making it comparable to variable prime lenses. With minimal distortion, no ramping, and fast 12x zoom ratios, it is a highly efficient and versatile lens.
Aside from its optical capabilities, the Optimo Ultra 12x also features a newly designed and improved mechanical system. It has a shorter MOD (minimum object distance) of 1.22m/4' for the S35 version, 1.24m/4'1" for the U35 version, and less than 1.5m/5' for the FF/VV version. The focus ring is precise and ergonomic, with a rotation scale of 321 degrees - the largest in the industry. It also has over 70 focus marks and user-changeable focus marking rings. The lens is made with lightweight materials and has an anti-abrasion coating, making it suitable for extreme shooting environments. With its IRO technology, the Optimo Ultra 12x can be configured to cover three different formats: S35, U35, and FF/VV. Overall, it is the perfect zoom lens for high-end productions such as feature films, TV series, live stage, commercials, and music videos.
Fuji HZK DUVO 14-100mm Lens
Delivering 7.1x zoom covering 14-100mm, a focal range that is frequently used on set, achieves compact size and is lightweight at 266.9mm in length and 2.54kg in weight. This lens can be utilized with tripod, as well as shoulder-mounted operation, with a steadicam or for high-angle shooting using a crane. The shallow depth of field allows for cinematic image expression with beautiful bokeh effect, making it ideal for sporting events, live concerts, reality show, and other live broadcasts.
Sony FE 24-70mm F2.8 GM Lens
Beyond the attributes of the lens system itself, this 24-70mm is also characterized by a Direct Drive SSM (Super Sonic wave Motor) system that provides fast, quiet AF performance as well as responsive manual focus handling. The lens is also dust- and moisture-sealed, to permit working in inclement weather conditions, and nuanced details, such as a focus hold button and rubberized control dials, further the intuitiveness in handling.As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.Covering wide-angle to portrait-length perspectives, this standard 24-70mm zoom is designed for full-frame E-mount mirrorless cameras and is also compatible with APS-C models, where it will provide a 36-105mm equivalent focal length range.Constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
Fujinon UA46x9.5BERD 4K Lens
The Fujinon UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the world's widest angle lens in its class. It is a portable broadcast zoom lens that enables incredible video to be shot in a wide variety of scenes. Using state-of-the-art optical design technology, it suppresses colour aberrations to the minimum. Also, it realizes vivid colour reproduction and high contrast by improving light transmittance. Rich tones are reproduced with High Dynamic Range (HDR).
Fuji HZK Duvo 24-300mm Lens
The Fuji 24-300mm lens offers extensive coverage, with 12.5x zoom across 24-300mm as standard. This can be extended by utilizing a built-in expander, which shifts focal length by 1.5x. The result is an even greater 36-450mm range.
Ideal for shoulder-mounted operation and compatible with stabilizing support systems, Duvo 24-300mm is just 270.5mm long and 2.95kg in weight. Portability and ease of use are assured for teams of all sizes, in varied locations within the live environment. Coupled with the range of coverage, operators can seize opportunities near and far, even from limited physical spaces.
While broadcast cameras have traditionally contained smaller sensors, many creatives are now looking to larger formats to deliver a cinematic aesthetic. Duvo 24-300mm offers native Super 35mm sensor coverage, but sensors equivalent to full-frame can be covered via the built-in expander. This function expands the lens’s image circle by 1.5x, maintaining the same optical quality and angle of view.
The optical quality in question is a result of large-diameter aspherical elements and Super ED (extra-low dispersion) lenses within Duvo 24-300mm. Ghosting, lens flare, and various forms of aberration are effectively controlled.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Tokina 11-20mm T2.9 Lens
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigours of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.
