Cine Lenses
Showing 10–18 of 21 results
Sony FE 24-70mm F2.8 GM Lens
Beyond the attributes of the lens system itself, this 24-70mm is also characterized by a Direct Drive SSM (Super Sonic wave Motor) system that provides fast, quiet AF performance as well as responsive manual focus handling. The lens is also dust- and moisture-sealed, to permit working in inclement weather conditions, and nuanced details, such as a focus hold button and rubberized control dials, further the intuitiveness in handling.As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.Covering wide-angle to portrait-length perspectives, this standard 24-70mm zoom is designed for full-frame E-mount mirrorless cameras and is also compatible with APS-C models, where it will provide a 36-105mm equivalent focal length range.Constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
Fuji HZK Duvo 24-300mm Lens
The Fuji 24-300mm lens offers extensive coverage, with 12.5x zoom across 24-300mm as standard. This can be extended by utilizing a built-in expander, which shifts focal length by 1.5x. The result is an even greater 36-450mm range.
Ideal for shoulder-mounted operation and compatible with stabilizing support systems, Duvo 24-300mm is just 270.5mm long and 2.95kg in weight. Portability and ease of use are assured for teams of all sizes, in varied locations within the live environment. Coupled with the range of coverage, operators can seize opportunities near and far, even from limited physical spaces.
While broadcast cameras have traditionally contained smaller sensors, many creatives are now looking to larger formats to deliver a cinematic aesthetic. Duvo 24-300mm offers native Super 35mm sensor coverage, but sensors equivalent to full-frame can be covered via the built-in expander. This function expands the lens’s image circle by 1.5x, maintaining the same optical quality and angle of view.
The optical quality in question is a result of large-diameter aspherical elements and Super ED (extra-low dispersion) lenses within Duvo 24-300mm. Ghosting, lens flare, and various forms of aberration are effectively controlled.
Angénieux EZ-2 15-40mm T2.0 Lens
The EZ-2 15-40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 2.7x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
The lens itself has 3 manual lens control rings: focus, iris, and zoom. Each ring features cine-style 0.8 MOD gear teeth, for compatibility with follow focus units and lens control motors. The 114mm front diameter allows you to work with a wide variety of rod supported matte boxes.
Tokina 11-20mm T2.9 Lens
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigours of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.
Sony FE 28-135mm f4 OSS G Lens
The SELP28135G is a top-quality powered zoom lens designed for 35mm full frame format cameras. It is specifically created to meet the high standards of professional moviemaking, including the ability to capture high resolution 4K footage. The lens features a precision optical design that minimizes angle of view variations while focusing and axial displacement while zooming, and utilizes aspherical elements and advanced multi-coating technology to effectively suppress aberration. Additionally, the lens has three independent control rings for zoom, focus, and iris, providing manual control and a focus mode that can be easily switched from auto to manual. The lens also boasts quiet operation, with an SSM drive system for precise and silent zooming, and a lightweight and compact design that is dust and moisture resistant for maximum mobility and reliability.
The SELP28135G is the perfect lens for professional movie production, offering a constant F4 aperture and an extended zoom range of 42-202.5mm when used on an APS-C or Super 35 camera. Its high-speed operation and independent control rings provide a professional feel and allow for manual control, while the SSM drive system ensures quiet and smooth operation. The compact and lightweight design of the lens makes it ideal for on-the-go shooting, and its dust and moisture resistant design adds to its reliability. With the SELP28135G, filmmakers can achieve superb 35mm full frame imagery and high-quality 4K footage with ease and precision.
Canon CN10 x 25 PL Lens
Capture stunning 4K quality footage thanks to outstanding optical performance, operability and reliability. This versatile and cinematic 25mm-250mm 10x CINE-SERVO lens offers further reach up to 375mm in Full Frame mode (from the standard 250mm), with its 1.5x extender.
Designed to produce sharp images from centre to outer edges, even when paired with 8K cameras. The lens also produces the beautiful warm colour tones synonymous with Canon’s cinema lens family.
The 10x zoom lens can handle a wide range of shooting situations, from 25mm wide angle, to 250mm telephoto, in a single lens. This range can be pushed to 375mm with the built-in 1.5x Optical Extender.
While the lens fully supports Super 35mm, the built-in extender that increases the image size will make the lens becomes compatible with 35mm Full Frame sensor cameras too.
Canon CN20 x 50 PL Lens
Class-leading ultra-telephoto CINE-SERVO lens, the CN20 x 50 IAS H E1/P1 offers stunning 4K performance, 20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender). Ideal for sports events and wildlife applications.
Features:
- Class-leading ultra-telephoto 4K CINE-SERVO lens
- Ultra-telephoto lens with class-leading focal length
- Capture every detail in sports and nature TV broadcast
- Achieve stunning shots in outstanding 4K quality
- Enjoy a wide variety of shooting and expression
- Carriable and durable with intuitive operation
Canon CN8 x 15 PL Lens
Canon CN8X15 IAS S P1. Designed to offer breath taking wide-angle images for Super35mm and Full Frame¹ cameras with outstanding optical performance for HDR, 4K and 8K productions, the CN8x15 IAS S E1/P1 is ideal for broadcast and cinema applications where high image quality and performance across the entire zoom range are demanded. It offers ZEISS eXtended DataTM communication, and Cooke /i TechnologyTM via the PL mount and EF Mount communication.
Features:
- 4K, 8K, HDR
- Super 35mm and Full Frame
- PL Mount
- 11 iris blades
- 15-120mm focal length
- Enhanced Servo drive unit
- Focus, Zoom, and Iris dials
Fujinon Cabrio 85-300mm PL Lens
Fujinon PL 85-300 Cabrio (ZK3.5x85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5x85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
