Vision
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Canon DP-V2411 HDR Monitor
The Canon DP-V2411 24" 4K Reference Display features image quality and tool sets designed to aid your HDR productions. The monitor, with its 4096 x 2160 native resolution, is suitable for colorists, cinematographers, and DITs as it is at home on SDR productions, with its standard 100 cd/m² brightness levels, as well as HDR productions with its peak 1000 cd/m² brightness. It supports 12G-SDI and has four BNC inputs and four BNC loopthrough outputs, as well as an HDMI input. The monitor displays a 4K image from any one of its inputs, or you can create a dual view from a single input. You can also input an 8K image over the four 12G-SDI inputs, which the monitor will scale to 4K for display.
The wide viewing area and anti-glare coating provide an image that can be viewed in less-than-ideal conditions and from off-axis without significantly compromising the image's contrast. The monitor supports ITU-R BT.709 as well as BT.2020. A LAN interface allows you to control the monitor's settings remotely. The monitor keeps cool using a fan and its aluminum frame as a heat sink. A built-in mode allows the monitor to automatically turn off its internal fan when a compatible camera is connected to the monitor and the camera is recording, which makes the monitor suitable for on-set as well as post-production work.
Canon DP-V1830 HDR Monitor
Maintain a consistent reference throughout production and postproduction as you shoot and/or monitor 4K with this 18.4" Canon DP-V1830 UHD 4K Reference Display rack-mountable monitor, which can also be used as a portable studio or location monitor. This reference display is ideal for broadcast and cine-style video productions that monitor in up to 4K. The monitor supports 12G-SDI and has 4 x BNC inputs and 4 x BNC loop through outputs as well as 1 x HDMI input. It features a panel with a native resolution of 3840 x 2160 that displays UHD 4K natively, while providing two options for displaying 4K DCI. The monitor supports SDR as well as HDR for display and has a nifty SDR/HDR split-screen function, so you can do an on-set compare of your footage.
The LED panel is consistent with other models in the Canon reference display line, which allows you to trust your image will display consistently from monitor to monitor as your production moves through the production/postproduction pipeline. Combining a peak brightness of 1000 cd/m² with Canon's backlight control allows the monitor to reach a contrast ratio of 1,000,000:1 with right un-clipped whites, and deep blacks.
TV Logic LUM-242H Monitor
The LUM-242H is a 24 inch monitor with UHD resolution (3840 x 2160), high luminance up to 1,000cd/㎡, a 10-bit color depth, high contrast ratio of 1,000 : 1 and wide viewing angle. The LUM-242H supports various standard color gamuts including 90% DCI-P3 coverage. It supports 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0 input.
Aja FS-HDR Converter
FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms.
In Single Channel Mode, FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR/WCG transformation. In 4-Channel Mode, FS-HDR offers 4 independent channels of 2K/HD HDR/WCG transformations as well as up, down, and cross conversions.
Bon BSM-183H High Bright Monitor
Designed for shooting outdoors and in other brightly lit conditions, the BON BSM-183H 18.5" 3G/SD-SDI & HDMI High Brightness Field Monitor features a 1200 cd/m² daylight-viewable LCD screen. The high brightness preserves contrast and prevents the on-screen image from getting washed out. The 1366 x 768 LED-backlit LCD panel can display SD and HD signals from any of the HDMI, DVI, or analog video inputs. The two 3G-SDI inputs can handle up to 2K resolutions. SDI and analog looped outputs can be used to further route the incoming video. Onboard monitoring tools include waveform, vectorscope, and exposure range check for analyzing incoming video signals and adjusting exposure.
Sony HDRC-4000 Converter
The HDRC-4000 HDR production converter unit provides simultaneous real-time streams for multi-purpose 4K HDR (High Dynamic Range) live production as part of powerful Sony SR Live for HDR workflows. The unit can output a variety of video signals, including 4K HDR (S-Log3, BT.2020), HD HDR, 4K SDR and HD SDR, without loss. The compact 1.5RU chassis is ideal for operation in an outside broadcast environment. The AIR (Artistic Intent Rendering) Matching function faithfully retains the producer’s artistic intent to any distribution format while achieving greater workflow efficiency. The unit can also be controlled by the MSU-1000/1500 and RCP-1500 series remote controllers.
Real-time conversion of both 4K HDR and HD HDR
AIR Matching function to retain artistic intent across distribution platforms
Enables powerful SR Live for HDR workflows
PRODUCT MANUAL
Ereca Stageracer 2
The Stage Racer 2 is a complete optical fiber transmission solution for every broadcast event ranging from simple OB interconnect to complex star, ring or linear topology spread over a whole TV compound. Remote production capacity also allows the exchange of content with distant locations.
The Stage Racer 2 is designed to accept all kinds of signals on the same device without external adapter.
Internally those signals can be grouped/routed/distributed to all other machines of the network.
Only 2 fibers connected directly on the unit are needed to get full transport capacity.
The Stage Racer 2 also offers processing capabilities with Frame buffering, Audio Embedding/Deembedding, Audio SRC and much more….
The Stage Racer 2 setup is provided with an easy to use web interface or with automation systems (VSM…)
Each unit is capable of transmitting a comprehensive set of signals as follows:
16 SD to 3G bidirectional ports (direction configurable)
8 SD to 12G bidirectional ports (direction configurable)
1 Distributed Genlock (Composite video / Black burst / Tri-level)
16 Bidirectional analog audio for intercom or programme
2 Ethernet 10/100/1000Mbs
2 Data RS 232/422/485
8 Contact closures
4 AES 3 bidirectional (intercom panel compatible)
1 Bidirectional MADI (AES10) Signal (Shared with 2 of the 4 AES connectors)
1 Built in Dante / AES67 audio port with 64 channels support.
Riedel Micron 80G
MicroN is an 80G media distribution network device for Riedel’s MediorNet line of media transport and management solutions.
Working seamlessly with the MediorNet MetroN core fiber router, MicroN is a high-density signal interface with a complete array of audio, video, and data inputs and outputs, including 12 SD/HD/3G-SDI inputs and 12 SD/HD/3G-SDI outputs, two MADI optical digital audio ports, a Gigabit Ethernet port, two sync reference I/Os, and eight 10G MediorNet Links (4.25 capable). MicroN is available as a fully networked MediorNet device, as well as in a point-to-point edition at a very competitive price point.
In just 1RU, MicroN offers a highly versatile signal interface that can be used in productions of every size and complexity. For the largest media networks built on MediorNet transport devices, MicroN can serve as a breakout box for a MetroN router and extend connectivity beyond the fiber I/Os to any type of video and audio I/O required. Or, MicroN can simply work with a MetroN router, with other MicroN units, or in a standalone point-to-point configuration to provide an economical solution for small- to medium-sized productions. And, like the other MediorNet devices, MicroN has powerful built-in signal processing features that eliminate the need for many external devices.
Because of the Micron's versatility it is a suitable alternative to a Lawo V PRO 8.
Standalone Mode as a 12x12 Router and audio embedder/de-embedder
Point-to-point functionality, 12 bi-dir SDI I/Os, two MADI I/Os, Gigabit Ethernet
Meshed Network functionality as router replacement
Router functionality including MetroN and MicroN
PRODUCT MANUAL
Ereca Stage Racer
The Stage Racer product line is an ultra flexible solution to connect a stage to an OB VAN.
With the ERECA unique feature for on the fly direction configurable 3G-SDI channels and the numerous commodities signal transmitted along the videos, the stage racer is the product of choice for an affordable fast and easy event deployment.
All our Stage Racers are built in to bespoke 6U racks to utilise all signal functionality.
The equipment assumes transmission of a comprehensive set of signals as follows:
8 or 12 x video 3G / HD / SDI signals (direction configurable through built in web server),
1 x Genlock bidirectional (PAL image / Black burst / Tri-level),
16 x analog audio for intercom or broadcasting,
8 x Microphone pre-amp blocks
2 x Ethernet 10/100/1000Mbs (1 Gigabit trunk with 2 VLANS),
4 x Data RS 232/422/485,
8 x Contact closures.
4 x AES 3 bidirectional (Riedel panel compatible)
1 x bidirectional MADI (AES10) Signal (Shared with 2 of the 4 AES connectors).
For flexible setup the mechanical is declined in a 1U rack which fits everywhere and in a very rugged compact die cast aluminum box. This latter enclosure ensures excellent shock/drop protection along with dust and water resistant capacity for all “no fly case” applications. Links can be built between racks, rugged boxes or rack and rugged box.
All the signals are transmitted on 2 singlemode fibers. As an option, an optical cable failover is built inside the modules by adding a second connector. In case of fiber break the equipment automatically select the other cable.
PRODUCT MANUAL
